Event Detail Information
Jean Monnet Lecture Series: Child Abuse in Casanova's Venice
SPEAKER BIO: Professor Wolff works on the history of Eastern Europe, the Habsburg Monarchy, the Enlightenment, and on the history of childhood. He tends to work as an intellectual and cultural historian. He has been most interested in problems concerning East and West within Europe: whether concerning the Vatican and Poland, Venice and the Slavs, or Vienna and Galicia. He developed the argument that Eastern Europe was "invented" in the eighteenth century, by the philosophes and travelers of the Enlightenment, who attributed meaning to a supposed division of Europe into complementary regions, Western Europe and Eastern Europe. He has analyzed Western perspectives on Eastern Europe as a sort of "demi-Orientalism," negotiating a balance between attributed difference and acknowledged resemblance. Considering Venetian perspectives on Dalmatia and Habsburg perspectives on Galicia, he has attempted to explore the meaning of "Eastern Europe" within imperial frameworks and the ideology of empire. His research on the history of childhood has included projects on child abuse in Freud's Vienna and child abuse in Casanova's Venice. His current research concerns Turkish subjects on the European operatic stage during the long eighteenth century, and analyzes musical and dramatic representations in the context of European-Ottoman relations.
ABSTRACT: In the summer of 1785, in the city of Venice, a wealthy 60-year-old man was arrested and accused of a scandalous offense: having sexual relations with the 8-year-old daughter of an impoverished laundress. Although the sexual abuse of children was probably not uncommon in early modern Europe, it is largely undocumented, and the concept of "child abuse" did not yet exist. The case of Paolina Lozaro and Gaetano Franceschini came before Venice's unusual blasphemy tribunal, the Bestemmia, which heard testimony from an entire neighborhood—from the parish priest to the madam of the local brothel. Paolina's Innocence considers Franceschini's conduct in the context of the libertinism of Casanova and also employs other prominent contemporaries—Jean-Jacques Rousseau, Carlo Goldoni, Lorenzo Da Ponte, Cesare Beccaria, and the Marquis de Sade—as points of reference for understanding the case and broader issues of libertinism, sexual crime, childhood, and child abuse in the 18th century.
This event is free and open to the public.