IAS Library Suggests!

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Saturday, April 29, 2017

Sunday, April 30, 2017

Monday, May 1, 2017

Tuesday, May 2, 2017

Wednesday, May 3, 2017

Thursday, May 4, 2017

Friday, May 5, 2017

Saturday, May 6, 2017

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    After the Sousa Band trombone section’s performance to record crowds during Chicago’s Columbian World’s Exhibition in 1893, Sousa’s exceptional trombonists Arthur Pryor, Marcus Lyons, and Edward Williams established a new showmanship standard for playing trombone solos that was emulated by many concert bands throughout America.

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    Arthur Pryor, Ralph Corey, Kid Ory, and William “Willy” Cornish were exceptional trombone soloists at the turn of the twentieth century who brought the trombone center stage from the back seats of America’s concert and jazz bands.

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    Henry Fillmore (1881-1956) was an unconventional trombonist, composer, and bandmaster who loved circus music, American football, and his music-loving dog. The hustle of Cincinnati’s river wharfs, and his and Uncle Fred’s love of the many circuses that passed through town often distracted the young Henry from the drudgeries of school, piano lessons, and the weekly trips to

    • All Day
    • 2nd Floor Main Library (outside Reading Room)

    • 11:00 am - 3:00 pm
    • Spurlock Museum, 600 S. Gregory, Urbana, IL

    Take a break from finals stress! Drop by the Spurlock Museum for craft bar board games stretches and yoga study tables Everyone is welcome! Free admission.

    • 8:00 am

    • All Day
    • KAM Main Level, West Gallery

    The American Abstract Artists (AAA) emerged as a diverse group who engaged in various applications of abstraction: dynamic, clear geometry; abstraction influenced by surrealism and expressionism, often with biomorphic elements; and abstraction informed by the natural landscape. This exhibition features AAA works primarily from the Krannert Art Museum collection.

    • All Day
    • KAM Main Level, Rosann Gelvin Noel Annex and Light Court Gallery

    Autumn Knight makes performances that reshape perceptions of race, gender, and authority in institutional spaces. Drawing from such disparate fields as dance, psychology, religious studies, and theatre, Knight pays attention to the ways knowledge is produced collectively among her audience members and physically in the body through language, movement, and emotion.

    • All Day
    • KAM Main Level, Contemporary Gallery

    The year 2017 marks the sesquicentennial (150th anniversary) of the founding of the University of Illinois at Urbana-Champaign. "Land Grant" draws from libraries, archives, and collections across campus to propose an expanded field for considering the university, while assessing the current status go punily higher education in the United States.

    • All Day
    • KAM Main Level, Kinkead Gallery

    "Light and Movement in Sculpture" presents the small but strong collection of light art and kinetic sculpture in the Krannert Art Museum collection. It includes works purchased as part of the University of Illinois Festival of Contemporary Arts (1948-1974).

    • 9:00 am

    • 9:00 am - 12:00 pm
    • Japan House, 2000 S. Lincoln Avenue, Urbana, IL

    • 1:30 - 3:00 pm
    • 2000 S. Lincoln Avenue, Urbana, IL

Sunday, May 7, 2017

Monday, May 8, 2017

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    After the Sousa Band trombone section’s performance to record crowds during Chicago’s Columbian World’s Exhibition in 1893, Sousa’s exceptional trombonists Arthur Pryor, Marcus Lyons, and Edward Williams established a new showmanship standard for playing trombone solos that was emulated by many concert bands throughout America.

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    Arthur Pryor, Ralph Corey, Kid Ory, and William “Willy” Cornish were exceptional trombone soloists at the turn of the twentieth century who brought the trombone center stage from the back seats of America’s concert and jazz bands.

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    Henry Fillmore (1881-1956) was an unconventional trombonist, composer, and bandmaster who loved circus music, American football, and his music-loving dog. The hustle of Cincinnati’s river wharfs, and his and Uncle Fred’s love of the many circuses that passed through town often distracted the young Henry from the drudgeries of school, piano lessons, and the weekly trips to

    • 8:00 am

    • 8:00 am

    • All Day
    • KAM Main Level, West Gallery

    The American Abstract Artists (AAA) emerged as a diverse group who engaged in various applications of abstraction: dynamic, clear geometry; abstraction influenced by surrealism and expressionism, often with biomorphic elements; and abstraction informed by the natural landscape. This exhibition features AAA works primarily from the Krannert Art Museum collection.

    • All Day
    • KAM Main Level, Rosann Gelvin Noel Annex and Light Court Gallery

    Autumn Knight makes performances that reshape perceptions of race, gender, and authority in institutional spaces. Drawing from such disparate fields as dance, psychology, religious studies, and theatre, Knight pays attention to the ways knowledge is produced collectively among her audience members and physically in the body through language, movement, and emotion.

    • All Day
    • KAM Main Level, Contemporary Gallery

    The year 2017 marks the sesquicentennial (150th anniversary) of the founding of the University of Illinois at Urbana-Champaign. "Land Grant" draws from libraries, archives, and collections across campus to propose an expanded field for considering the university, while assessing the current status go punily higher education in the United States.

    • 1:30 pm

    • 1:30 pm

    • 7:00 pm

    • 7:00 pm

Tuesday, May 9, 2017

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    After the Sousa Band trombone section’s performance to record crowds during Chicago’s Columbian World’s Exhibition in 1893, Sousa’s exceptional trombonists Arthur Pryor, Marcus Lyons, and Edward Williams established a new showmanship standard for playing trombone solos that was emulated by many concert bands throughout America.

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    Arthur Pryor, Ralph Corey, Kid Ory, and William “Willy” Cornish were exceptional trombone soloists at the turn of the twentieth century who brought the trombone center stage from the back seats of America’s concert and jazz bands.

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    Henry Fillmore (1881-1956) was an unconventional trombonist, composer, and bandmaster who loved circus music, American football, and his music-loving dog. The hustle of Cincinnati’s river wharfs, and his and Uncle Fred’s love of the many circuses that passed through town often distracted the young Henry from the drudgeries of school, piano lessons, and the weekly trips to

    • 8:00 am

    • 8:00 am

    • All Day
    • KAM Main Level, West Gallery

    The American Abstract Artists (AAA) emerged as a diverse group who engaged in various applications of abstraction: dynamic, clear geometry; abstraction influenced by surrealism and expressionism, often with biomorphic elements; and abstraction informed by the natural landscape. This exhibition features AAA works primarily from the Krannert Art Museum collection.

    • All Day
    • KAM Main Level, Rosann Gelvin Noel Annex and Light Court Gallery

    Autumn Knight makes performances that reshape perceptions of race, gender, and authority in institutional spaces. Drawing from such disparate fields as dance, psychology, religious studies, and theatre, Knight pays attention to the ways knowledge is produced collectively among her audience members and physically in the body through language, movement, and emotion.

    • All Day
    • KAM Main Level, Contemporary Gallery

    The year 2017 marks the sesquicentennial (150th anniversary) of the founding of the University of Illinois at Urbana-Champaign. "Land Grant" draws from libraries, archives, and collections across campus to propose an expanded field for considering the university, while assessing the current status go punily higher education in the United States.

    • 1:00 pm

    • 1:30 pm

    • 7:00 pm

    • 7:00 pm

Wednesday, May 10, 2017

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    After the Sousa Band trombone section’s performance to record crowds during Chicago’s Columbian World’s Exhibition in 1893, Sousa’s exceptional trombonists Arthur Pryor, Marcus Lyons, and Edward Williams established a new showmanship standard for playing trombone solos that was emulated by many concert bands throughout America.

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    Arthur Pryor, Ralph Corey, Kid Ory, and William “Willy” Cornish were exceptional trombone soloists at the turn of the twentieth century who brought the trombone center stage from the back seats of America’s concert and jazz bands.

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    Henry Fillmore (1881-1956) was an unconventional trombonist, composer, and bandmaster who loved circus music, American football, and his music-loving dog. The hustle of Cincinnati’s river wharfs, and his and Uncle Fred’s love of the many circuses that passed through town often distracted the young Henry from the drudgeries of school, piano lessons, and the weekly trips to

    • 8:00 am

    • 8:00 am

    • All Day
    • KAM Main Level, West Gallery

    The American Abstract Artists (AAA) emerged as a diverse group who engaged in various applications of abstraction: dynamic, clear geometry; abstraction influenced by surrealism and expressionism, often with biomorphic elements; and abstraction informed by the natural landscape. This exhibition features AAA works primarily from the Krannert Art Museum collection.

    • All Day
    • KAM Main Level, Rosann Gelvin Noel Annex and Light Court Gallery

    Autumn Knight makes performances that reshape perceptions of race, gender, and authority in institutional spaces. Drawing from such disparate fields as dance, psychology, religious studies, and theatre, Knight pays attention to the ways knowledge is produced collectively among her audience members and physically in the body through language, movement, and emotion.

    • All Day
    • KAM Main Level, Contemporary Gallery

    The year 2017 marks the sesquicentennial (150th anniversary) of the founding of the University of Illinois at Urbana-Champaign. "Land Grant" draws from libraries, archives, and collections across campus to propose an expanded field for considering the university, while assessing the current status go punily higher education in the United States.

    • 1:30 pm

    • 1:30 pm

    • 7:00 pm

    • 7:00 pm

Thursday, May 11, 2017

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    After the Sousa Band trombone section’s performance to record crowds during Chicago’s Columbian World’s Exhibition in 1893, Sousa’s exceptional trombonists Arthur Pryor, Marcus Lyons, and Edward Williams established a new showmanship standard for playing trombone solos that was emulated by many concert bands throughout America.

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    Arthur Pryor, Ralph Corey, Kid Ory, and William “Willy” Cornish were exceptional trombone soloists at the turn of the twentieth century who brought the trombone center stage from the back seats of America’s concert and jazz bands.

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    Henry Fillmore (1881-1956) was an unconventional trombonist, composer, and bandmaster who loved circus music, American football, and his music-loving dog. The hustle of Cincinnati’s river wharfs, and his and Uncle Fred’s love of the many circuses that passed through town often distracted the young Henry from the drudgeries of school, piano lessons, and the weekly trips to

    • All Day
    • KAM Main Level, West Gallery

    The American Abstract Artists (AAA) emerged as a diverse group who engaged in various applications of abstraction: dynamic, clear geometry; abstraction influenced by surrealism and expressionism, often with biomorphic elements; and abstraction informed by the natural landscape. This exhibition features AAA works primarily from the Krannert Art Museum collection.

    • All Day
    • KAM Main Level, Rosann Gelvin Noel Annex and Light Court Gallery

    Autumn Knight makes performances that reshape perceptions of race, gender, and authority in institutional spaces. Drawing from such disparate fields as dance, psychology, religious studies, and theatre, Knight pays attention to the ways knowledge is produced collectively among her audience members and physically in the body through language, movement, and emotion.

    • All Day
    • KAM Main Level, Contemporary Gallery

    The year 2017 marks the sesquicentennial (150th anniversary) of the founding of the University of Illinois at Urbana-Champaign. "Land Grant" draws from libraries, archives, and collections across campus to propose an expanded field for considering the university, while assessing the current status go punily higher education in the United States.

    • 8:30 am
    • 109 GSLIS

    • 1:00 - 4:00 pm
    • Scholarly Commons- Main Library Room 306

    • 2:00 pm
    • KAM Main Level, Rosann Gelvin Noel Annex and Light Court Gallery

    A series of weekly, 60-minute gallery performances at 2pm in the exhibition Autumn Knight: In Rehearsal. Join the exhibition as a performer negotiates the installation's physical possibilities and constraints.

    • 3:00 pm
    • 2000 S. Lincoln Avenue, Urbana, IL

Friday, May 12, 2017

Saturday, May 13, 2017

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    After the Sousa Band trombone section’s performance to record crowds during Chicago’s Columbian World’s Exhibition in 1893, Sousa’s exceptional trombonists Arthur Pryor, Marcus Lyons, and Edward Williams established a new showmanship standard for playing trombone solos that was emulated by many concert bands throughout America.

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    Arthur Pryor, Ralph Corey, Kid Ory, and William “Willy” Cornish were exceptional trombone soloists at the turn of the twentieth century who brought the trombone center stage from the back seats of America’s concert and jazz bands.

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    Henry Fillmore (1881-1956) was an unconventional trombonist, composer, and bandmaster who loved circus music, American football, and his music-loving dog. The hustle of Cincinnati’s river wharfs, and his and Uncle Fred’s love of the many circuses that passed through town often distracted the young Henry from the drudgeries of school, piano lessons, and the weekly trips to

    • All Day
    • KAM Main Level, West Gallery

    The American Abstract Artists (AAA) emerged as a diverse group who engaged in various applications of abstraction: dynamic, clear geometry; abstraction influenced by surrealism and expressionism, often with biomorphic elements; and abstraction informed by the natural landscape. This exhibition features AAA works primarily from the Krannert Art Museum collection.

    • All Day
    • KAM Main Level, Kinkead Gallery

    This exhibition draws from ongoing research into the Nazi-era provenance of KAM’s European painting collection to explore diverse facets of provenance research including genealogy, documentation, the identification of marks and labels, and attribution.

    • All Day
    • KAM Main Level, Rosann Gelvin Noel Annex and Light Court Gallery

    Autumn Knight makes performances that reshape perceptions of race, gender, and authority in institutional spaces. Drawing from such disparate fields as dance, psychology, religious studies, and theatre, Knight pays attention to the ways knowledge is produced collectively among her audience members and physically in the body through language, movement, and emotion.

    • All Day
    • KAM Main Level, Contemporary Gallery

    The year 2017 marks the sesquicentennial (150th anniversary) of the founding of the University of Illinois at Urbana-Champaign. "Land Grant" draws from libraries, archives, and collections across campus to propose an expanded field for considering the university, while assessing the current status go punily higher education in the United States.

    • 9:30 am
    • Memorial Stadium

    • 9:30 am
    • State Farm Center

    • 2:30 - 3:30 pm
    • Urbana Free Library, Children's Department, 210 W Green St., Urbana

    • 4:30 pm
    • Foellinger Auditorium (south end of the University of Illinois at Urbana-Champaign Quad)

Sunday, May 14, 2017

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    After the Sousa Band trombone section’s performance to record crowds during Chicago’s Columbian World’s Exhibition in 1893, Sousa’s exceptional trombonists Arthur Pryor, Marcus Lyons, and Edward Williams established a new showmanship standard for playing trombone solos that was emulated by many concert bands throughout America.

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    Arthur Pryor, Ralph Corey, Kid Ory, and William “Willy” Cornish were exceptional trombone soloists at the turn of the twentieth century who brought the trombone center stage from the back seats of America’s concert and jazz bands.

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    Henry Fillmore (1881-1956) was an unconventional trombonist, composer, and bandmaster who loved circus music, American football, and his music-loving dog. The hustle of Cincinnati’s river wharfs, and his and Uncle Fred’s love of the many circuses that passed through town often distracted the young Henry from the drudgeries of school, piano lessons, and the weekly trips to

Monday, May 15, 2017

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    After the Sousa Band trombone section’s performance to record crowds during Chicago’s Columbian World’s Exhibition in 1893, Sousa’s exceptional trombonists Arthur Pryor, Marcus Lyons, and Edward Williams established a new showmanship standard for playing trombone solos that was emulated by many concert bands throughout America.

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    Arthur Pryor, Ralph Corey, Kid Ory, and William “Willy” Cornish were exceptional trombone soloists at the turn of the twentieth century who brought the trombone center stage from the back seats of America’s concert and jazz bands.

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    Henry Fillmore (1881-1956) was an unconventional trombonist, composer, and bandmaster who loved circus music, American football, and his music-loving dog. The hustle of Cincinnati’s river wharfs, and his and Uncle Fred’s love of the many circuses that passed through town often distracted the young Henry from the drudgeries of school, piano lessons, and the weekly trips to

    • All Day

    • All Day
    • KAM Main Level, West Gallery

    The American Abstract Artists (AAA) emerged as a diverse group who engaged in various applications of abstraction: dynamic, clear geometry; abstraction influenced by surrealism and expressionism, often with biomorphic elements; and abstraction informed by the natural landscape. This exhibition features AAA works primarily from the Krannert Art Museum collection.

    • All Day
    • KAM Main Level, Kinkead Gallery

    This exhibition draws from ongoing research into the Nazi-era provenance of KAM’s European painting collection to explore diverse facets of provenance research including genealogy, documentation, the identification of marks and labels, and attribution.

    • All Day
    • KAM Main Level, Rosann Gelvin Noel Annex and Light Court Gallery

    Autumn Knight makes performances that reshape perceptions of race, gender, and authority in institutional spaces. Drawing from such disparate fields as dance, psychology, religious studies, and theatre, Knight pays attention to the ways knowledge is produced collectively among her audience members and physically in the body through language, movement, and emotion.

    • All Day
    • KAM Main Level, Contemporary Gallery

    The year 2017 marks the sesquicentennial (150th anniversary) of the founding of the University of Illinois at Urbana-Champaign. "Land Grant" draws from libraries, archives, and collections across campus to propose an expanded field for considering the university, while assessing the current status go punily higher education in the United States.

    • 10:00 am - 12:00 pm

    Join us Summer 2017 for workshops and online courses that focus on professional English skill development for international academic purposes.

    • 1:30 - 3:30 pm

Tuesday, May 16, 2017

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    After the Sousa Band trombone section’s performance to record crowds during Chicago’s Columbian World’s Exhibition in 1893, Sousa’s exceptional trombonists Arthur Pryor, Marcus Lyons, and Edward Williams established a new showmanship standard for playing trombone solos that was emulated by many concert bands throughout America.

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    Arthur Pryor, Ralph Corey, Kid Ory, and William “Willy” Cornish were exceptional trombone soloists at the turn of the twentieth century who brought the trombone center stage from the back seats of America’s concert and jazz bands.

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    Henry Fillmore (1881-1956) was an unconventional trombonist, composer, and bandmaster who loved circus music, American football, and his music-loving dog. The hustle of Cincinnati’s river wharfs, and his and Uncle Fred’s love of the many circuses that passed through town often distracted the young Henry from the drudgeries of school, piano lessons, and the weekly trips to

    • 10:00 am - 12:00 pm

    Join us Summer 2017 for workshops and online courses that focus on professional English skill development for international academic purposes.

    • 1:30 - 3:30 pm

    • All Day
    • KAM Main Level, West Gallery

    The American Abstract Artists (AAA) emerged as a diverse group who engaged in various applications of abstraction: dynamic, clear geometry; abstraction influenced by surrealism and expressionism, often with biomorphic elements; and abstraction informed by the natural landscape. This exhibition features AAA works primarily from the Krannert Art Museum collection.

    • All Day
    • KAM Main Level, Kinkead Gallery

    This exhibition draws from ongoing research into the Nazi-era provenance of KAM’s European painting collection to explore diverse facets of provenance research including genealogy, documentation, the identification of marks and labels, and attribution.

    • All Day
    • KAM Main Level, Rosann Gelvin Noel Annex and Light Court Gallery

    Autumn Knight makes performances that reshape perceptions of race, gender, and authority in institutional spaces. Drawing from such disparate fields as dance, psychology, religious studies, and theatre, Knight pays attention to the ways knowledge is produced collectively among her audience members and physically in the body through language, movement, and emotion.

    • All Day
    • KAM Main Level, Contemporary Gallery

    The year 2017 marks the sesquicentennial (150th anniversary) of the founding of the University of Illinois at Urbana-Champaign. "Land Grant" draws from libraries, archives, and collections across campus to propose an expanded field for considering the university, while assessing the current status go punily higher education in the United States.

Wednesday, May 17, 2017

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    After the Sousa Band trombone section’s performance to record crowds during Chicago’s Columbian World’s Exhibition in 1893, Sousa’s exceptional trombonists Arthur Pryor, Marcus Lyons, and Edward Williams established a new showmanship standard for playing trombone solos that was emulated by many concert bands throughout America.

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    Arthur Pryor, Ralph Corey, Kid Ory, and William “Willy” Cornish were exceptional trombone soloists at the turn of the twentieth century who brought the trombone center stage from the back seats of America’s concert and jazz bands.

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    Henry Fillmore (1881-1956) was an unconventional trombonist, composer, and bandmaster who loved circus music, American football, and his music-loving dog. The hustle of Cincinnati’s river wharfs, and his and Uncle Fred’s love of the many circuses that passed through town often distracted the young Henry from the drudgeries of school, piano lessons, and the weekly trips to

    • 10:00 am - 12:00 pm

    Join us Summer 2017 for workshops and online courses that focus on professional English skill development for international academic purposes.

    • 1:30 - 3:30 pm

    • All Day
    • KAM Main Level, West Gallery

    The American Abstract Artists (AAA) emerged as a diverse group who engaged in various applications of abstraction: dynamic, clear geometry; abstraction influenced by surrealism and expressionism, often with biomorphic elements; and abstraction informed by the natural landscape. This exhibition features AAA works primarily from the Krannert Art Museum collection.

    • All Day
    • KAM Main Level, Kinkead Gallery

    This exhibition draws from ongoing research into the Nazi-era provenance of KAM’s European painting collection to explore diverse facets of provenance research including genealogy, documentation, the identification of marks and labels, and attribution.

    • All Day
    • KAM Main Level, Rosann Gelvin Noel Annex and Light Court Gallery

    Autumn Knight makes performances that reshape perceptions of race, gender, and authority in institutional spaces. Drawing from such disparate fields as dance, psychology, religious studies, and theatre, Knight pays attention to the ways knowledge is produced collectively among her audience members and physically in the body through language, movement, and emotion.

    • All Day
    • KAM Main Level, Contemporary Gallery

    The year 2017 marks the sesquicentennial (150th anniversary) of the founding of the University of Illinois at Urbana-Champaign. "Land Grant" draws from libraries, archives, and collections across campus to propose an expanded field for considering the university, while assessing the current status go punily higher education in the United States.

    • 5:30 pm
    • 2000 S. Lincoln Avenue, Urbana, IL

Thursday, May 18, 2017

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    After the Sousa Band trombone section’s performance to record crowds during Chicago’s Columbian World’s Exhibition in 1893, Sousa’s exceptional trombonists Arthur Pryor, Marcus Lyons, and Edward Williams established a new showmanship standard for playing trombone solos that was emulated by many concert bands throughout America.

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    Arthur Pryor, Ralph Corey, Kid Ory, and William “Willy” Cornish were exceptional trombone soloists at the turn of the twentieth century who brought the trombone center stage from the back seats of America’s concert and jazz bands.

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    Henry Fillmore (1881-1956) was an unconventional trombonist, composer, and bandmaster who loved circus music, American football, and his music-loving dog. The hustle of Cincinnati’s river wharfs, and his and Uncle Fred’s love of the many circuses that passed through town often distracted the young Henry from the drudgeries of school, piano lessons, and the weekly trips to

    • 10:00 am - 12:00 pm

    Join us Summer 2017 for workshops and online courses that focus on professional English skill development for international academic purposes.

    • 1:30 - 3:30 pm

    • All Day
    • KAM Main Level, West Gallery

    The American Abstract Artists (AAA) emerged as a diverse group who engaged in various applications of abstraction: dynamic, clear geometry; abstraction influenced by surrealism and expressionism, often with biomorphic elements; and abstraction informed by the natural landscape. This exhibition features AAA works primarily from the Krannert Art Museum collection.

    • All Day
    • KAM Main Level, Kinkead Gallery

    This exhibition draws from ongoing research into the Nazi-era provenance of KAM’s European painting collection to explore diverse facets of provenance research including genealogy, documentation, the identification of marks and labels, and attribution.

    • All Day
    • KAM Main Level, Rosann Gelvin Noel Annex and Light Court Gallery

    Autumn Knight makes performances that reshape perceptions of race, gender, and authority in institutional spaces. Drawing from such disparate fields as dance, psychology, religious studies, and theatre, Knight pays attention to the ways knowledge is produced collectively among her audience members and physically in the body through language, movement, and emotion.

    • All Day
    • KAM Main Level, Contemporary Gallery

    The year 2017 marks the sesquicentennial (150th anniversary) of the founding of the University of Illinois at Urbana-Champaign. "Land Grant" draws from libraries, archives, and collections across campus to propose an expanded field for considering the university, while assessing the current status go punily higher education in the United States.

Friday, May 19, 2017

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    After the Sousa Band trombone section’s performance to record crowds during Chicago’s Columbian World’s Exhibition in 1893, Sousa’s exceptional trombonists Arthur Pryor, Marcus Lyons, and Edward Williams established a new showmanship standard for playing trombone solos that was emulated by many concert bands throughout America.

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    Arthur Pryor, Ralph Corey, Kid Ory, and William “Willy” Cornish were exceptional trombone soloists at the turn of the twentieth century who brought the trombone center stage from the back seats of America’s concert and jazz bands.

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    Henry Fillmore (1881-1956) was an unconventional trombonist, composer, and bandmaster who loved circus music, American football, and his music-loving dog. The hustle of Cincinnati’s river wharfs, and his and Uncle Fred’s love of the many circuses that passed through town often distracted the young Henry from the drudgeries of school, piano lessons, and the weekly trips to

    • 8:00 am
    • 1005 Beckman Institute (405 N. Mathews Ave., Urbana 61801)

    The 26th annual meeting of Formal Approaches to Slavic Linguistics (FASL-26) conference will take place at the University of Illinois at Urbana-Champaign on May 19-21, 2017. It will feature a special session on the Acquisition and Processing of Slavic Languages.

    • All Day
    • Room 1005, Beckman Institute, 405 North Mathews Avenue, Urbana

    • All Day
    • KAM Main Level, West Gallery

    The American Abstract Artists (AAA) emerged as a diverse group who engaged in various applications of abstraction: dynamic, clear geometry; abstraction influenced by surrealism and expressionism, often with biomorphic elements; and abstraction informed by the natural landscape. This exhibition features AAA works primarily from the Krannert Art Museum collection.

    • All Day
    • KAM Main Level, Kinkead Gallery

    This exhibition draws from ongoing research into the Nazi-era provenance of KAM’s European painting collection to explore diverse facets of provenance research including genealogy, documentation, the identification of marks and labels, and attribution.

    • All Day
    • KAM Main Level, Rosann Gelvin Noel Annex and Light Court Gallery

    Autumn Knight makes performances that reshape perceptions of race, gender, and authority in institutional spaces. Drawing from such disparate fields as dance, psychology, religious studies, and theatre, Knight pays attention to the ways knowledge is produced collectively among her audience members and physically in the body through language, movement, and emotion.

    • All Day
    • KAM Main Level, Contemporary Gallery

    The year 2017 marks the sesquicentennial (150th anniversary) of the founding of the University of Illinois at Urbana-Champaign. "Land Grant" draws from libraries, archives, and collections across campus to propose an expanded field for considering the university, while assessing the current status go punily higher education in the United States.

    • 11:30 am - 12:00 pm
    • Spurlock Museum, 600 S. Gregory, Urbana, IL

    • 11:30 am - 12:00 pm
    • Knight Auditorium at Spurlock Museum, 600 S Gregory Street, Urbana

    • 12:00 pm
    • KAM Lower Level, Hood Classroom

    KAM offers a lunchtime yoga series Fridays at noon during the summer. Each Yoga at the Museum session is free and open to the public.

Saturday, May 20, 2017

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    After the Sousa Band trombone section’s performance to record crowds during Chicago’s Columbian World’s Exhibition in 1893, Sousa’s exceptional trombonists Arthur Pryor, Marcus Lyons, and Edward Williams established a new showmanship standard for playing trombone solos that was emulated by many concert bands throughout America.

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    Arthur Pryor, Ralph Corey, Kid Ory, and William “Willy” Cornish were exceptional trombone soloists at the turn of the twentieth century who brought the trombone center stage from the back seats of America’s concert and jazz bands.

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    Henry Fillmore (1881-1956) was an unconventional trombonist, composer, and bandmaster who loved circus music, American football, and his music-loving dog. The hustle of Cincinnati’s river wharfs, and his and Uncle Fred’s love of the many circuses that passed through town often distracted the young Henry from the drudgeries of school, piano lessons, and the weekly trips to

    • 8:00 am
    • 1005 Beckman Institute (405 N. Mathews Ave., Urbana 61801)

    The 26th annual meeting of Formal Approaches to Slavic Linguistics (FASL-26) conference will take place at the University of Illinois at Urbana-Champaign on May 19-21, 2017. It will feature a special session on the Acquisition and Processing of Slavic Languages.

    • All Day
    • Room 1005, Beckman Institute, 405 North Mathews Avenue, Urbana

    • All Day
    • KAM Main Level, West Gallery

    The American Abstract Artists (AAA) emerged as a diverse group who engaged in various applications of abstraction: dynamic, clear geometry; abstraction influenced by surrealism and expressionism, often with biomorphic elements; and abstraction informed by the natural landscape. This exhibition features AAA works primarily from the Krannert Art Museum collection.

    • All Day
    • KAM Main Level, Kinkead Gallery

    This exhibition draws from ongoing research into the Nazi-era provenance of KAM’s European painting collection to explore diverse facets of provenance research including genealogy, documentation, the identification of marks and labels, and attribution.

    • All Day
    • KAM Main Level, Rosann Gelvin Noel Annex and Light Court Gallery

    Autumn Knight makes performances that reshape perceptions of race, gender, and authority in institutional spaces. Drawing from such disparate fields as dance, psychology, religious studies, and theatre, Knight pays attention to the ways knowledge is produced collectively among her audience members and physically in the body through language, movement, and emotion.

    • All Day
    • KAM Main Level, Contemporary Gallery

    The year 2017 marks the sesquicentennial (150th anniversary) of the founding of the University of Illinois at Urbana-Champaign. "Land Grant" draws from libraries, archives, and collections across campus to propose an expanded field for considering the university, while assessing the current status go punily higher education in the United States.

Sunday, May 21, 2017

Monday, May 22, 2017

Tuesday, May 23, 2017

Wednesday, May 24, 2017

Thursday, May 25, 2017

Friday, May 26, 2017

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    After the Sousa Band trombone section’s performance to record crowds during Chicago’s Columbian World’s Exhibition in 1893, Sousa’s exceptional trombonists Arthur Pryor, Marcus Lyons, and Edward Williams established a new showmanship standard for playing trombone solos that was emulated by many concert bands throughout America.

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    Arthur Pryor, Ralph Corey, Kid Ory, and William “Willy” Cornish were exceptional trombone soloists at the turn of the twentieth century who brought the trombone center stage from the back seats of America’s concert and jazz bands.

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    Henry Fillmore (1881-1956) was an unconventional trombonist, composer, and bandmaster who loved circus music, American football, and his music-loving dog. The hustle of Cincinnati’s river wharfs, and his and Uncle Fred’s love of the many circuses that passed through town often distracted the young Henry from the drudgeries of school, piano lessons, and the weekly trips to

    • All Day
    • KAM Main Level, West Gallery

    The American Abstract Artists (AAA) emerged as a diverse group who engaged in various applications of abstraction: dynamic, clear geometry; abstraction influenced by surrealism and expressionism, often with biomorphic elements; and abstraction informed by the natural landscape. This exhibition features AAA works primarily from the Krannert Art Museum collection.

    • All Day
    • KAM Main Level, Kinkead Gallery

    This exhibition draws from ongoing research into the Nazi-era provenance of KAM’s European painting collection to explore diverse facets of provenance research including genealogy, documentation, the identification of marks and labels, and attribution.

    • All Day
    • KAM Main Level, Rosann Gelvin Noel Annex and Light Court Gallery

    Autumn Knight makes performances that reshape perceptions of race, gender, and authority in institutional spaces. Drawing from such disparate fields as dance, psychology, religious studies, and theatre, Knight pays attention to the ways knowledge is produced collectively among her audience members and physically in the body through language, movement, and emotion.

    • All Day
    • KAM Main Level, Rosann Gelvin Noel Gallery

    Under the Works Progress Administration, the Federal Art Project (1935–1943) was the largest of the New Deal art programs and focused on all areas of the visual arts—including design, the fine arts, and art education. This exhibition focuses on WPA works—prints, paintings, and sculptures—allocated from the federal government that are currently housed in the museum's perm

    • All Day
    • KAM Main Level, Contemporary Gallery

    The year 2017 marks the sesquicentennial (150th anniversary) of the founding of the University of Illinois at Urbana-Champaign. "Land Grant" draws from libraries, archives, and collections across campus to propose an expanded field for considering the university, while assessing the current status go punily higher education in the United States.

    • 11:30 am - 12:00 pm
    • Spurlock Museum, 600 S. Gregory, Urbana, IL

    • 12:00 pm
    • KAM Lower Level, Hood Classroom

    KAM offers a lunchtime yoga series Fridays at noon during the summer. Each Yoga at the Museum session is free and open to the public.

Saturday, May 27, 2017

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    After the Sousa Band trombone section’s performance to record crowds during Chicago’s Columbian World’s Exhibition in 1893, Sousa’s exceptional trombonists Arthur Pryor, Marcus Lyons, and Edward Williams established a new showmanship standard for playing trombone solos that was emulated by many concert bands throughout America.

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    Arthur Pryor, Ralph Corey, Kid Ory, and William “Willy” Cornish were exceptional trombone soloists at the turn of the twentieth century who brought the trombone center stage from the back seats of America’s concert and jazz bands.

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    Henry Fillmore (1881-1956) was an unconventional trombonist, composer, and bandmaster who loved circus music, American football, and his music-loving dog. The hustle of Cincinnati’s river wharfs, and his and Uncle Fred’s love of the many circuses that passed through town often distracted the young Henry from the drudgeries of school, piano lessons, and the weekly trips to

    • All Day
    • KAM Main Level, West Gallery

    The American Abstract Artists (AAA) emerged as a diverse group who engaged in various applications of abstraction: dynamic, clear geometry; abstraction influenced by surrealism and expressionism, often with biomorphic elements; and abstraction informed by the natural landscape. This exhibition features AAA works primarily from the Krannert Art Museum collection.

    • All Day
    • KAM Main Level, Kinkead Gallery

    This exhibition draws from ongoing research into the Nazi-era provenance of KAM’s European painting collection to explore diverse facets of provenance research including genealogy, documentation, the identification of marks and labels, and attribution.

    • All Day
    • KAM Main Level, Rosann Gelvin Noel Annex and Light Court Gallery

    Autumn Knight makes performances that reshape perceptions of race, gender, and authority in institutional spaces. Drawing from such disparate fields as dance, psychology, religious studies, and theatre, Knight pays attention to the ways knowledge is produced collectively among her audience members and physically in the body through language, movement, and emotion.

    • All Day
    • KAM Main Level, Rosann Gelvin Noel Gallery

    Under the Works Progress Administration, the Federal Art Project (1935–1943) was the largest of the New Deal art programs and focused on all areas of the visual arts—including design, the fine arts, and art education. This exhibition focuses on WPA works—prints, paintings, and sculptures—allocated from the federal government that are currently housed in the museum's perm

    • All Day
    • KAM Main Level, Contemporary Gallery

    The year 2017 marks the sesquicentennial (150th anniversary) of the founding of the University of Illinois at Urbana-Champaign. "Land Grant" draws from libraries, archives, and collections across campus to propose an expanded field for considering the university, while assessing the current status go punily higher education in the United States.

    • All Day

Sunday, May 28, 2017

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    After the Sousa Band trombone section’s performance to record crowds during Chicago’s Columbian World’s Exhibition in 1893, Sousa’s exceptional trombonists Arthur Pryor, Marcus Lyons, and Edward Williams established a new showmanship standard for playing trombone solos that was emulated by many concert bands throughout America.

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    Arthur Pryor, Ralph Corey, Kid Ory, and William “Willy” Cornish were exceptional trombone soloists at the turn of the twentieth century who brought the trombone center stage from the back seats of America’s concert and jazz bands.

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    Henry Fillmore (1881-1956) was an unconventional trombonist, composer, and bandmaster who loved circus music, American football, and his music-loving dog. The hustle of Cincinnati’s river wharfs, and his and Uncle Fred’s love of the many circuses that passed through town often distracted the young Henry from the drudgeries of school, piano lessons, and the weekly trips to

Monday, May 29, 2017

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    After the Sousa Band trombone section’s performance to record crowds during Chicago’s Columbian World’s Exhibition in 1893, Sousa’s exceptional trombonists Arthur Pryor, Marcus Lyons, and Edward Williams established a new showmanship standard for playing trombone solos that was emulated by many concert bands throughout America.

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    Arthur Pryor, Ralph Corey, Kid Ory, and William “Willy” Cornish were exceptional trombone soloists at the turn of the twentieth century who brought the trombone center stage from the back seats of America’s concert and jazz bands.

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    Henry Fillmore (1881-1956) was an unconventional trombonist, composer, and bandmaster who loved circus music, American football, and his music-loving dog. The hustle of Cincinnati’s river wharfs, and his and Uncle Fred’s love of the many circuses that passed through town often distracted the young Henry from the drudgeries of school, piano lessons, and the weekly trips to

    • All Day
    • KAM Main Level, West Gallery

    The American Abstract Artists (AAA) emerged as a diverse group who engaged in various applications of abstraction: dynamic, clear geometry; abstraction influenced by surrealism and expressionism, often with biomorphic elements; and abstraction informed by the natural landscape. This exhibition features AAA works primarily from the Krannert Art Museum collection.

    • All Day
    • KAM Main Level, Kinkead Gallery

    This exhibition draws from ongoing research into the Nazi-era provenance of KAM’s European painting collection to explore diverse facets of provenance research including genealogy, documentation, the identification of marks and labels, and attribution.

    • All Day
    • KAM Main Level, Rosann Gelvin Noel Annex and Light Court Gallery

    Autumn Knight makes performances that reshape perceptions of race, gender, and authority in institutional spaces. Drawing from such disparate fields as dance, psychology, religious studies, and theatre, Knight pays attention to the ways knowledge is produced collectively among her audience members and physically in the body through language, movement, and emotion.

    • All Day
    • KAM Main Level, Rosann Gelvin Noel Gallery

    Under the Works Progress Administration, the Federal Art Project (1935–1943) was the largest of the New Deal art programs and focused on all areas of the visual arts—including design, the fine arts, and art education. This exhibition focuses on WPA works—prints, paintings, and sculptures—allocated from the federal government that are currently housed in the museum's perm

    • All Day
    • KAM Main Level, Contemporary Gallery

    The year 2017 marks the sesquicentennial (150th anniversary) of the founding of the University of Illinois at Urbana-Champaign. "Land Grant" draws from libraries, archives, and collections across campus to propose an expanded field for considering the university, while assessing the current status go punily higher education in the United States.

Tuesday, May 30, 2017

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    After the Sousa Band trombone section’s performance to record crowds during Chicago’s Columbian World’s Exhibition in 1893, Sousa’s exceptional trombonists Arthur Pryor, Marcus Lyons, and Edward Williams established a new showmanship standard for playing trombone solos that was emulated by many concert bands throughout America.

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    Arthur Pryor, Ralph Corey, Kid Ory, and William “Willy” Cornish were exceptional trombone soloists at the turn of the twentieth century who brought the trombone center stage from the back seats of America’s concert and jazz bands.

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    Henry Fillmore (1881-1956) was an unconventional trombonist, composer, and bandmaster who loved circus music, American football, and his music-loving dog. The hustle of Cincinnati’s river wharfs, and his and Uncle Fred’s love of the many circuses that passed through town often distracted the young Henry from the drudgeries of school, piano lessons, and the weekly trips to

    • All Day
    • KAM Main Level, West Gallery

    The American Abstract Artists (AAA) emerged as a diverse group who engaged in various applications of abstraction: dynamic, clear geometry; abstraction influenced by surrealism and expressionism, often with biomorphic elements; and abstraction informed by the natural landscape. This exhibition features AAA works primarily from the Krannert Art Museum collection.

    • All Day
    • KAM Main Level, Kinkead Gallery

    This exhibition draws from ongoing research into the Nazi-era provenance of KAM’s European painting collection to explore diverse facets of provenance research including genealogy, documentation, the identification of marks and labels, and attribution.

    • All Day
    • KAM Main Level, Rosann Gelvin Noel Annex and Light Court Gallery

    Autumn Knight makes performances that reshape perceptions of race, gender, and authority in institutional spaces. Drawing from such disparate fields as dance, psychology, religious studies, and theatre, Knight pays attention to the ways knowledge is produced collectively among her audience members and physically in the body through language, movement, and emotion.

    • All Day
    • KAM Main Level, Rosann Gelvin Noel Gallery

    Under the Works Progress Administration, the Federal Art Project (1935–1943) was the largest of the New Deal art programs and focused on all areas of the visual arts—including design, the fine arts, and art education. This exhibition focuses on WPA works—prints, paintings, and sculptures—allocated from the federal government that are currently housed in the museum's perm

    • All Day
    • KAM Main Level, Contemporary Gallery

    The year 2017 marks the sesquicentennial (150th anniversary) of the founding of the University of Illinois at Urbana-Champaign. "Land Grant" draws from libraries, archives, and collections across campus to propose an expanded field for considering the university, while assessing the current status go punily higher education in the United States.

Wednesday, May 31, 2017

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    After the Sousa Band trombone section’s performance to record crowds during Chicago’s Columbian World’s Exhibition in 1893, Sousa’s exceptional trombonists Arthur Pryor, Marcus Lyons, and Edward Williams established a new showmanship standard for playing trombone solos that was emulated by many concert bands throughout America.

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    Arthur Pryor, Ralph Corey, Kid Ory, and William “Willy” Cornish were exceptional trombone soloists at the turn of the twentieth century who brought the trombone center stage from the back seats of America’s concert and jazz bands.

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    Henry Fillmore (1881-1956) was an unconventional trombonist, composer, and bandmaster who loved circus music, American football, and his music-loving dog. The hustle of Cincinnati’s river wharfs, and his and Uncle Fred’s love of the many circuses that passed through town often distracted the young Henry from the drudgeries of school, piano lessons, and the weekly trips to

    • All Day
    • KAM Main Level, West Gallery

    The American Abstract Artists (AAA) emerged as a diverse group who engaged in various applications of abstraction: dynamic, clear geometry; abstraction influenced by surrealism and expressionism, often with biomorphic elements; and abstraction informed by the natural landscape. This exhibition features AAA works primarily from the Krannert Art Museum collection.

    • All Day
    • KAM Main Level, Kinkead Gallery

    This exhibition draws from ongoing research into the Nazi-era provenance of KAM’s European painting collection to explore diverse facets of provenance research including genealogy, documentation, the identification of marks and labels, and attribution.

    • All Day
    • KAM Main Level, Rosann Gelvin Noel Annex and Light Court Gallery

    Autumn Knight makes performances that reshape perceptions of race, gender, and authority in institutional spaces. Drawing from such disparate fields as dance, psychology, religious studies, and theatre, Knight pays attention to the ways knowledge is produced collectively among her audience members and physically in the body through language, movement, and emotion.

    • All Day
    • KAM Main Level, Rosann Gelvin Noel Gallery

    Under the Works Progress Administration, the Federal Art Project (1935–1943) was the largest of the New Deal art programs and focused on all areas of the visual arts—including design, the fine arts, and art education. This exhibition focuses on WPA works—prints, paintings, and sculptures—allocated from the federal government that are currently housed in the museum's perm

    • All Day
    • KAM Main Level, Contemporary Gallery

    The year 2017 marks the sesquicentennial (150th anniversary) of the founding of the University of Illinois at Urbana-Champaign. "Land Grant" draws from libraries, archives, and collections across campus to propose an expanded field for considering the university, while assessing the current status go punily higher education in the United States.

    • 5:30 pm
    • 2000 S. Lincoln Avenue, Urbana, IL