Exhibits

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Saturday, April 29, 2017

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    After the Sousa Band trombone section’s performance to record crowds during Chicago’s Columbian World’s Exhibition in 1893, Sousa’s exceptional trombonists Arthur Pryor, Marcus Lyons, and Edward Williams established a new showmanship standard for playing trombone solos that was emulated by many concert bands throughout America.

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    Arthur Pryor, Ralph Corey, Kid Ory, and William “Willy” Cornish were exceptional trombone soloists at the turn of the twentieth century who brought the trombone center stage from the back seats of America’s concert and jazz bands.

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    Henry Fillmore (1881-1956) was an unconventional trombonist, composer, and bandmaster who loved circus music, American football, and his music-loving dog. The hustle of Cincinnati’s river wharfs, and his and Uncle Fred’s love of the many circuses that passed through town often distracted the young Henry from the drudgeries of school, piano lessons, and the weekly trips to

    • All Day
    • Main Library Marshall Gallery

    This is an exhibit for the 100th anniversary of the start of the American Library Association Library War Service, which provided books and library services to soldiers during World War I.

    • All Day
    • 2nd Floor Main Library (outside Reading Room)

    • All Day
    • KAM Main Level, West Gallery

    The American Abstract Artists (AAA) emerged as a diverse group who engaged in various applications of abstraction: dynamic, clear geometry; abstraction influenced by surrealism and expressionism, often with biomorphic elements; and abstraction informed by the natural landscape. This exhibition features AAA works primarily from the Krannert Art Museum collection.

    • All Day
    • KAM Main Level, Rosann Gelvin Noel Annex and Light Court Gallery

    Autumn Knight makes performances that reshape perceptions of race, gender, and authority in institutional spaces. Drawing from such disparate fields as dance, psychology, religious studies, and theatre, Knight pays attention to the ways knowledge is produced collectively among her audience members and physically in the body through language, movement, and emotion.

    • All Day
    • KAM Main Level, Contemporary Gallery

    The year 2017 marks the sesquicentennial (150th anniversary) of the founding of the University of Illinois at Urbana-Champaign. "Land Grant" draws from libraries, archives, and collections across campus to propose an expanded field for considering the university, while assessing the current status go punily higher education in the United States.

    • All Day
    • KAM Main Level, Kinkead Gallery

    "Light and Movement in Sculpture" presents the small but strong collection of light art and kinetic sculpture in the Krannert Art Museum collection. It includes works purchased as part of the University of Illinois Festival of Contemporary Arts (1948-1974).

Sunday, April 30, 2017

Monday, May 1, 2017

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    After the Sousa Band trombone section’s performance to record crowds during Chicago’s Columbian World’s Exhibition in 1893, Sousa’s exceptional trombonists Arthur Pryor, Marcus Lyons, and Edward Williams established a new showmanship standard for playing trombone solos that was emulated by many concert bands throughout America.

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    Arthur Pryor, Ralph Corey, Kid Ory, and William “Willy” Cornish were exceptional trombone soloists at the turn of the twentieth century who brought the trombone center stage from the back seats of America’s concert and jazz bands.

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    Henry Fillmore (1881-1956) was an unconventional trombonist, composer, and bandmaster who loved circus music, American football, and his music-loving dog. The hustle of Cincinnati’s river wharfs, and his and Uncle Fred’s love of the many circuses that passed through town often distracted the young Henry from the drudgeries of school, piano lessons, and the weekly trips to

    • All Day
    • 2nd Floor Main Library (outside Reading Room)

    • All Day
    • KAM Main Level, West Gallery

    The American Abstract Artists (AAA) emerged as a diverse group who engaged in various applications of abstraction: dynamic, clear geometry; abstraction influenced by surrealism and expressionism, often with biomorphic elements; and abstraction informed by the natural landscape. This exhibition features AAA works primarily from the Krannert Art Museum collection.

    • All Day
    • KAM Main Level, Rosann Gelvin Noel Annex and Light Court Gallery

    Autumn Knight makes performances that reshape perceptions of race, gender, and authority in institutional spaces. Drawing from such disparate fields as dance, psychology, religious studies, and theatre, Knight pays attention to the ways knowledge is produced collectively among her audience members and physically in the body through language, movement, and emotion.

    • All Day
    • KAM Main Level, Contemporary Gallery

    The year 2017 marks the sesquicentennial (150th anniversary) of the founding of the University of Illinois at Urbana-Champaign. "Land Grant" draws from libraries, archives, and collections across campus to propose an expanded field for considering the university, while assessing the current status go punily higher education in the United States.

    • All Day
    • KAM Main Level, Kinkead Gallery

    "Light and Movement in Sculpture" presents the small but strong collection of light art and kinetic sculpture in the Krannert Art Museum collection. It includes works purchased as part of the University of Illinois Festival of Contemporary Arts (1948-1974).

    • 2:00 pm
    • Room 1080 (Lucy Ellis Lounge), Foreign Languages Building, 707 South Mathews Avenue, Urbana, IL 61801

    • 8:30 pm
    • Art Theater, 126 W Church St, Champaign, IL

    No cost No reservations needed

Tuesday, May 2, 2017

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    After the Sousa Band trombone section’s performance to record crowds during Chicago’s Columbian World’s Exhibition in 1893, Sousa’s exceptional trombonists Arthur Pryor, Marcus Lyons, and Edward Williams established a new showmanship standard for playing trombone solos that was emulated by many concert bands throughout America.

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    Arthur Pryor, Ralph Corey, Kid Ory, and William “Willy” Cornish were exceptional trombone soloists at the turn of the twentieth century who brought the trombone center stage from the back seats of America’s concert and jazz bands.

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    Henry Fillmore (1881-1956) was an unconventional trombonist, composer, and bandmaster who loved circus music, American football, and his music-loving dog. The hustle of Cincinnati’s river wharfs, and his and Uncle Fred’s love of the many circuses that passed through town often distracted the young Henry from the drudgeries of school, piano lessons, and the weekly trips to

    • All Day
    • 2nd Floor Main Library (outside Reading Room)

    • All Day
    • KAM Main Level, West Gallery

    The American Abstract Artists (AAA) emerged as a diverse group who engaged in various applications of abstraction: dynamic, clear geometry; abstraction influenced by surrealism and expressionism, often with biomorphic elements; and abstraction informed by the natural landscape. This exhibition features AAA works primarily from the Krannert Art Museum collection.

    • All Day
    • KAM Main Level, Rosann Gelvin Noel Annex and Light Court Gallery

    Autumn Knight makes performances that reshape perceptions of race, gender, and authority in institutional spaces. Drawing from such disparate fields as dance, psychology, religious studies, and theatre, Knight pays attention to the ways knowledge is produced collectively among her audience members and physically in the body through language, movement, and emotion.

    • All Day
    • KAM Main Level, Contemporary Gallery

    The year 2017 marks the sesquicentennial (150th anniversary) of the founding of the University of Illinois at Urbana-Champaign. "Land Grant" draws from libraries, archives, and collections across campus to propose an expanded field for considering the university, while assessing the current status go punily higher education in the United States.

    • All Day
    • KAM Main Level, Kinkead Gallery

    "Light and Movement in Sculpture" presents the small but strong collection of light art and kinetic sculpture in the Krannert Art Museum collection. It includes works purchased as part of the University of Illinois Festival of Contemporary Arts (1948-1974).

Wednesday, May 3, 2017

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    After the Sousa Band trombone section’s performance to record crowds during Chicago’s Columbian World’s Exhibition in 1893, Sousa’s exceptional trombonists Arthur Pryor, Marcus Lyons, and Edward Williams established a new showmanship standard for playing trombone solos that was emulated by many concert bands throughout America.

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    Arthur Pryor, Ralph Corey, Kid Ory, and William “Willy” Cornish were exceptional trombone soloists at the turn of the twentieth century who brought the trombone center stage from the back seats of America’s concert and jazz bands.

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    Henry Fillmore (1881-1956) was an unconventional trombonist, composer, and bandmaster who loved circus music, American football, and his music-loving dog. The hustle of Cincinnati’s river wharfs, and his and Uncle Fred’s love of the many circuses that passed through town often distracted the young Henry from the drudgeries of school, piano lessons, and the weekly trips to

    • All Day
    • 2nd Floor Main Library (outside Reading Room)

    • All Day
    • KAM Main Level, West Gallery

    The American Abstract Artists (AAA) emerged as a diverse group who engaged in various applications of abstraction: dynamic, clear geometry; abstraction influenced by surrealism and expressionism, often with biomorphic elements; and abstraction informed by the natural landscape. This exhibition features AAA works primarily from the Krannert Art Museum collection.

    • All Day
    • KAM Main Level, Rosann Gelvin Noel Annex and Light Court Gallery

    Autumn Knight makes performances that reshape perceptions of race, gender, and authority in institutional spaces. Drawing from such disparate fields as dance, psychology, religious studies, and theatre, Knight pays attention to the ways knowledge is produced collectively among her audience members and physically in the body through language, movement, and emotion.

    • All Day
    • KAM Main Level, Contemporary Gallery

    The year 2017 marks the sesquicentennial (150th anniversary) of the founding of the University of Illinois at Urbana-Champaign. "Land Grant" draws from libraries, archives, and collections across campus to propose an expanded field for considering the university, while assessing the current status go punily higher education in the United States.

    • All Day
    • KAM Main Level, Kinkead Gallery

    "Light and Movement in Sculpture" presents the small but strong collection of light art and kinetic sculpture in the Krannert Art Museum collection. It includes works purchased as part of the University of Illinois Festival of Contemporary Arts (1948-1974).

Thursday, May 4, 2017

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    After the Sousa Band trombone section’s performance to record crowds during Chicago’s Columbian World’s Exhibition in 1893, Sousa’s exceptional trombonists Arthur Pryor, Marcus Lyons, and Edward Williams established a new showmanship standard for playing trombone solos that was emulated by many concert bands throughout America.

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    Arthur Pryor, Ralph Corey, Kid Ory, and William “Willy” Cornish were exceptional trombone soloists at the turn of the twentieth century who brought the trombone center stage from the back seats of America’s concert and jazz bands.

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    Henry Fillmore (1881-1956) was an unconventional trombonist, composer, and bandmaster who loved circus music, American football, and his music-loving dog. The hustle of Cincinnati’s river wharfs, and his and Uncle Fred’s love of the many circuses that passed through town often distracted the young Henry from the drudgeries of school, piano lessons, and the weekly trips to

    • All Day
    • 2nd Floor Main Library (outside Reading Room)

    • All Day
    • KAM Main Level, West Gallery

    The American Abstract Artists (AAA) emerged as a diverse group who engaged in various applications of abstraction: dynamic, clear geometry; abstraction influenced by surrealism and expressionism, often with biomorphic elements; and abstraction informed by the natural landscape. This exhibition features AAA works primarily from the Krannert Art Museum collection.

    • All Day
    • KAM Main Level, Rosann Gelvin Noel Annex and Light Court Gallery

    Autumn Knight makes performances that reshape perceptions of race, gender, and authority in institutional spaces. Drawing from such disparate fields as dance, psychology, religious studies, and theatre, Knight pays attention to the ways knowledge is produced collectively among her audience members and physically in the body through language, movement, and emotion.

    • All Day
    • KAM Main Level, Contemporary Gallery

    The year 2017 marks the sesquicentennial (150th anniversary) of the founding of the University of Illinois at Urbana-Champaign. "Land Grant" draws from libraries, archives, and collections across campus to propose an expanded field for considering the university, while assessing the current status go punily higher education in the United States.

    • All Day
    • KAM Main Level, Kinkead Gallery

    "Light and Movement in Sculpture" presents the small but strong collection of light art and kinetic sculpture in the Krannert Art Museum collection. It includes works purchased as part of the University of Illinois Festival of Contemporary Arts (1948-1974).

    • 9:00 am
    • Link Gallery

    • 2:00 pm
    • KAM Main Level, Rosann Gelvin Noel Annex and Light Court Gallery

    A series of weekly, 60-minute gallery performances at 2pm in the exhibition Autumn Knight: In Rehearsal. Join the exhibition as a performer negotiates the installation's physical possibilities and constraints.

Friday, May 5, 2017

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    After the Sousa Band trombone section’s performance to record crowds during Chicago’s Columbian World’s Exhibition in 1893, Sousa’s exceptional trombonists Arthur Pryor, Marcus Lyons, and Edward Williams established a new showmanship standard for playing trombone solos that was emulated by many concert bands throughout America.

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    Arthur Pryor, Ralph Corey, Kid Ory, and William “Willy” Cornish were exceptional trombone soloists at the turn of the twentieth century who brought the trombone center stage from the back seats of America’s concert and jazz bands.

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    Henry Fillmore (1881-1956) was an unconventional trombonist, composer, and bandmaster who loved circus music, American football, and his music-loving dog. The hustle of Cincinnati’s river wharfs, and his and Uncle Fred’s love of the many circuses that passed through town often distracted the young Henry from the drudgeries of school, piano lessons, and the weekly trips to

    • All Day
    • 2nd Floor Main Library (outside Reading Room)

    • All Day
    • KAM Main Level, West Gallery

    The American Abstract Artists (AAA) emerged as a diverse group who engaged in various applications of abstraction: dynamic, clear geometry; abstraction influenced by surrealism and expressionism, often with biomorphic elements; and abstraction informed by the natural landscape. This exhibition features AAA works primarily from the Krannert Art Museum collection.

    • All Day
    • KAM Main Level, Rosann Gelvin Noel Annex and Light Court Gallery

    Autumn Knight makes performances that reshape perceptions of race, gender, and authority in institutional spaces. Drawing from such disparate fields as dance, psychology, religious studies, and theatre, Knight pays attention to the ways knowledge is produced collectively among her audience members and physically in the body through language, movement, and emotion.

    • All Day
    • KAM Main Level, Contemporary Gallery

    The year 2017 marks the sesquicentennial (150th anniversary) of the founding of the University of Illinois at Urbana-Champaign. "Land Grant" draws from libraries, archives, and collections across campus to propose an expanded field for considering the university, while assessing the current status go punily higher education in the United States.

    • All Day
    • KAM Main Level, Kinkead Gallery

    "Light and Movement in Sculpture" presents the small but strong collection of light art and kinetic sculpture in the Krannert Art Museum collection. It includes works purchased as part of the University of Illinois Festival of Contemporary Arts (1948-1974).

    • 9:00 am
    • Link Gallery

    • 12:00 pm
    • KAM Lower Level, Classroom Studio

    KAM offers a lunchtime yoga series Fridays at noon when classes are in session. Each Yoga at the Museum session is free and open to the public.

Saturday, May 6, 2017

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    After the Sousa Band trombone section’s performance to record crowds during Chicago’s Columbian World’s Exhibition in 1893, Sousa’s exceptional trombonists Arthur Pryor, Marcus Lyons, and Edward Williams established a new showmanship standard for playing trombone solos that was emulated by many concert bands throughout America.

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    Arthur Pryor, Ralph Corey, Kid Ory, and William “Willy” Cornish were exceptional trombone soloists at the turn of the twentieth century who brought the trombone center stage from the back seats of America’s concert and jazz bands.

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    Henry Fillmore (1881-1956) was an unconventional trombonist, composer, and bandmaster who loved circus music, American football, and his music-loving dog. The hustle of Cincinnati’s river wharfs, and his and Uncle Fred’s love of the many circuses that passed through town often distracted the young Henry from the drudgeries of school, piano lessons, and the weekly trips to

    • All Day
    • 2nd Floor Main Library (outside Reading Room)

    • All Day
    • KAM Main Level, West Gallery

    The American Abstract Artists (AAA) emerged as a diverse group who engaged in various applications of abstraction: dynamic, clear geometry; abstraction influenced by surrealism and expressionism, often with biomorphic elements; and abstraction informed by the natural landscape. This exhibition features AAA works primarily from the Krannert Art Museum collection.

    • All Day
    • KAM Main Level, Rosann Gelvin Noel Annex and Light Court Gallery

    Autumn Knight makes performances that reshape perceptions of race, gender, and authority in institutional spaces. Drawing from such disparate fields as dance, psychology, religious studies, and theatre, Knight pays attention to the ways knowledge is produced collectively among her audience members and physically in the body through language, movement, and emotion.

    • All Day
    • KAM Main Level, Contemporary Gallery

    The year 2017 marks the sesquicentennial (150th anniversary) of the founding of the University of Illinois at Urbana-Champaign. "Land Grant" draws from libraries, archives, and collections across campus to propose an expanded field for considering the university, while assessing the current status go punily higher education in the United States.

    • All Day
    • KAM Main Level, Kinkead Gallery

    "Light and Movement in Sculpture" presents the small but strong collection of light art and kinetic sculpture in the Krannert Art Museum collection. It includes works purchased as part of the University of Illinois Festival of Contemporary Arts (1948-1974).

    • 9:00 am
    • Link Gallery

    • 5:00 pm
    • Link Gallery

Sunday, May 7, 2017

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    After the Sousa Band trombone section’s performance to record crowds during Chicago’s Columbian World’s Exhibition in 1893, Sousa’s exceptional trombonists Arthur Pryor, Marcus Lyons, and Edward Williams established a new showmanship standard for playing trombone solos that was emulated by many concert bands throughout America.

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    Arthur Pryor, Ralph Corey, Kid Ory, and William “Willy” Cornish were exceptional trombone soloists at the turn of the twentieth century who brought the trombone center stage from the back seats of America’s concert and jazz bands.

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    Henry Fillmore (1881-1956) was an unconventional trombonist, composer, and bandmaster who loved circus music, American football, and his music-loving dog. The hustle of Cincinnati’s river wharfs, and his and Uncle Fred’s love of the many circuses that passed through town often distracted the young Henry from the drudgeries of school, piano lessons, and the weekly trips to

    • All Day
    • 2nd Floor Main Library (outside Reading Room)

Monday, May 8, 2017

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    After the Sousa Band trombone section’s performance to record crowds during Chicago’s Columbian World’s Exhibition in 1893, Sousa’s exceptional trombonists Arthur Pryor, Marcus Lyons, and Edward Williams established a new showmanship standard for playing trombone solos that was emulated by many concert bands throughout America.

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    Arthur Pryor, Ralph Corey, Kid Ory, and William “Willy” Cornish were exceptional trombone soloists at the turn of the twentieth century who brought the trombone center stage from the back seats of America’s concert and jazz bands.

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    Henry Fillmore (1881-1956) was an unconventional trombonist, composer, and bandmaster who loved circus music, American football, and his music-loving dog. The hustle of Cincinnati’s river wharfs, and his and Uncle Fred’s love of the many circuses that passed through town often distracted the young Henry from the drudgeries of school, piano lessons, and the weekly trips to

    • All Day
    • KAM Main Level, West Gallery

    The American Abstract Artists (AAA) emerged as a diverse group who engaged in various applications of abstraction: dynamic, clear geometry; abstraction influenced by surrealism and expressionism, often with biomorphic elements; and abstraction informed by the natural landscape. This exhibition features AAA works primarily from the Krannert Art Museum collection.

    • All Day
    • KAM Main Level, Rosann Gelvin Noel Annex and Light Court Gallery

    Autumn Knight makes performances that reshape perceptions of race, gender, and authority in institutional spaces. Drawing from such disparate fields as dance, psychology, religious studies, and theatre, Knight pays attention to the ways knowledge is produced collectively among her audience members and physically in the body through language, movement, and emotion.

    • All Day
    • KAM Main Level, Contemporary Gallery

    The year 2017 marks the sesquicentennial (150th anniversary) of the founding of the University of Illinois at Urbana-Champaign. "Land Grant" draws from libraries, archives, and collections across campus to propose an expanded field for considering the university, while assessing the current status go punily higher education in the United States.

Tuesday, May 9, 2017

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    After the Sousa Band trombone section’s performance to record crowds during Chicago’s Columbian World’s Exhibition in 1893, Sousa’s exceptional trombonists Arthur Pryor, Marcus Lyons, and Edward Williams established a new showmanship standard for playing trombone solos that was emulated by many concert bands throughout America.

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    Arthur Pryor, Ralph Corey, Kid Ory, and William “Willy” Cornish were exceptional trombone soloists at the turn of the twentieth century who brought the trombone center stage from the back seats of America’s concert and jazz bands.

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    Henry Fillmore (1881-1956) was an unconventional trombonist, composer, and bandmaster who loved circus music, American football, and his music-loving dog. The hustle of Cincinnati’s river wharfs, and his and Uncle Fred’s love of the many circuses that passed through town often distracted the young Henry from the drudgeries of school, piano lessons, and the weekly trips to

    • All Day
    • KAM Main Level, West Gallery

    The American Abstract Artists (AAA) emerged as a diverse group who engaged in various applications of abstraction: dynamic, clear geometry; abstraction influenced by surrealism and expressionism, often with biomorphic elements; and abstraction informed by the natural landscape. This exhibition features AAA works primarily from the Krannert Art Museum collection.

    • All Day
    • KAM Main Level, Rosann Gelvin Noel Annex and Light Court Gallery

    Autumn Knight makes performances that reshape perceptions of race, gender, and authority in institutional spaces. Drawing from such disparate fields as dance, psychology, religious studies, and theatre, Knight pays attention to the ways knowledge is produced collectively among her audience members and physically in the body through language, movement, and emotion.

    • All Day
    • KAM Main Level, Contemporary Gallery

    The year 2017 marks the sesquicentennial (150th anniversary) of the founding of the University of Illinois at Urbana-Champaign. "Land Grant" draws from libraries, archives, and collections across campus to propose an expanded field for considering the university, while assessing the current status go punily higher education in the United States.

Wednesday, May 10, 2017

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    After the Sousa Band trombone section’s performance to record crowds during Chicago’s Columbian World’s Exhibition in 1893, Sousa’s exceptional trombonists Arthur Pryor, Marcus Lyons, and Edward Williams established a new showmanship standard for playing trombone solos that was emulated by many concert bands throughout America.

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    Arthur Pryor, Ralph Corey, Kid Ory, and William “Willy” Cornish were exceptional trombone soloists at the turn of the twentieth century who brought the trombone center stage from the back seats of America’s concert and jazz bands.

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    Henry Fillmore (1881-1956) was an unconventional trombonist, composer, and bandmaster who loved circus music, American football, and his music-loving dog. The hustle of Cincinnati’s river wharfs, and his and Uncle Fred’s love of the many circuses that passed through town often distracted the young Henry from the drudgeries of school, piano lessons, and the weekly trips to

    • All Day
    • KAM Main Level, West Gallery

    The American Abstract Artists (AAA) emerged as a diverse group who engaged in various applications of abstraction: dynamic, clear geometry; abstraction influenced by surrealism and expressionism, often with biomorphic elements; and abstraction informed by the natural landscape. This exhibition features AAA works primarily from the Krannert Art Museum collection.

    • All Day
    • KAM Main Level, Rosann Gelvin Noel Annex and Light Court Gallery

    Autumn Knight makes performances that reshape perceptions of race, gender, and authority in institutional spaces. Drawing from such disparate fields as dance, psychology, religious studies, and theatre, Knight pays attention to the ways knowledge is produced collectively among her audience members and physically in the body through language, movement, and emotion.

    • All Day
    • KAM Main Level, Contemporary Gallery

    The year 2017 marks the sesquicentennial (150th anniversary) of the founding of the University of Illinois at Urbana-Champaign. "Land Grant" draws from libraries, archives, and collections across campus to propose an expanded field for considering the university, while assessing the current status go punily higher education in the United States.

Thursday, May 11, 2017

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    After the Sousa Band trombone section’s performance to record crowds during Chicago’s Columbian World’s Exhibition in 1893, Sousa’s exceptional trombonists Arthur Pryor, Marcus Lyons, and Edward Williams established a new showmanship standard for playing trombone solos that was emulated by many concert bands throughout America.

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    Arthur Pryor, Ralph Corey, Kid Ory, and William “Willy” Cornish were exceptional trombone soloists at the turn of the twentieth century who brought the trombone center stage from the back seats of America’s concert and jazz bands.

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    Henry Fillmore (1881-1956) was an unconventional trombonist, composer, and bandmaster who loved circus music, American football, and his music-loving dog. The hustle of Cincinnati’s river wharfs, and his and Uncle Fred’s love of the many circuses that passed through town often distracted the young Henry from the drudgeries of school, piano lessons, and the weekly trips to

    • All Day
    • KAM Main Level, West Gallery

    The American Abstract Artists (AAA) emerged as a diverse group who engaged in various applications of abstraction: dynamic, clear geometry; abstraction influenced by surrealism and expressionism, often with biomorphic elements; and abstraction informed by the natural landscape. This exhibition features AAA works primarily from the Krannert Art Museum collection.

    • All Day
    • KAM Main Level, Rosann Gelvin Noel Annex and Light Court Gallery

    Autumn Knight makes performances that reshape perceptions of race, gender, and authority in institutional spaces. Drawing from such disparate fields as dance, psychology, religious studies, and theatre, Knight pays attention to the ways knowledge is produced collectively among her audience members and physically in the body through language, movement, and emotion.

    • All Day
    • KAM Main Level, Contemporary Gallery

    The year 2017 marks the sesquicentennial (150th anniversary) of the founding of the University of Illinois at Urbana-Champaign. "Land Grant" draws from libraries, archives, and collections across campus to propose an expanded field for considering the university, while assessing the current status go punily higher education in the United States.

    • 2:00 pm
    • KAM Main Level, Rosann Gelvin Noel Annex and Light Court Gallery

    A series of weekly, 60-minute gallery performances at 2pm in the exhibition Autumn Knight: In Rehearsal. Join the exhibition as a performer negotiates the installation's physical possibilities and constraints.

Friday, May 12, 2017

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    After the Sousa Band trombone section’s performance to record crowds during Chicago’s Columbian World’s Exhibition in 1893, Sousa’s exceptional trombonists Arthur Pryor, Marcus Lyons, and Edward Williams established a new showmanship standard for playing trombone solos that was emulated by many concert bands throughout America.

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    Arthur Pryor, Ralph Corey, Kid Ory, and William “Willy” Cornish were exceptional trombone soloists at the turn of the twentieth century who brought the trombone center stage from the back seats of America’s concert and jazz bands.

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    Henry Fillmore (1881-1956) was an unconventional trombonist, composer, and bandmaster who loved circus music, American football, and his music-loving dog. The hustle of Cincinnati’s river wharfs, and his and Uncle Fred’s love of the many circuses that passed through town often distracted the young Henry from the drudgeries of school, piano lessons, and the weekly trips to

    • All Day
    • KAM Main Level, West Gallery

    The American Abstract Artists (AAA) emerged as a diverse group who engaged in various applications of abstraction: dynamic, clear geometry; abstraction influenced by surrealism and expressionism, often with biomorphic elements; and abstraction informed by the natural landscape. This exhibition features AAA works primarily from the Krannert Art Museum collection.

    • All Day
    • KAM Main Level, Rosann Gelvin Noel Annex and Light Court Gallery

    Autumn Knight makes performances that reshape perceptions of race, gender, and authority in institutional spaces. Drawing from such disparate fields as dance, psychology, religious studies, and theatre, Knight pays attention to the ways knowledge is produced collectively among her audience members and physically in the body through language, movement, and emotion.

    • All Day
    • KAM Main Level, Contemporary Gallery

    The year 2017 marks the sesquicentennial (150th anniversary) of the founding of the University of Illinois at Urbana-Champaign. "Land Grant" draws from libraries, archives, and collections across campus to propose an expanded field for considering the university, while assessing the current status go punily higher education in the United States.

    • 12:00 pm
    • KAM Lower Level, Classroom Studio

    KAM offers a lunchtime yoga series Fridays at noon when classes are in session. Each Yoga at the Museum session is free and open to the public.

Saturday, May 13, 2017

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    After the Sousa Band trombone section’s performance to record crowds during Chicago’s Columbian World’s Exhibition in 1893, Sousa’s exceptional trombonists Arthur Pryor, Marcus Lyons, and Edward Williams established a new showmanship standard for playing trombone solos that was emulated by many concert bands throughout America.

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    Arthur Pryor, Ralph Corey, Kid Ory, and William “Willy” Cornish were exceptional trombone soloists at the turn of the twentieth century who brought the trombone center stage from the back seats of America’s concert and jazz bands.

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    Henry Fillmore (1881-1956) was an unconventional trombonist, composer, and bandmaster who loved circus music, American football, and his music-loving dog. The hustle of Cincinnati’s river wharfs, and his and Uncle Fred’s love of the many circuses that passed through town often distracted the young Henry from the drudgeries of school, piano lessons, and the weekly trips to

    • All Day
    • KAM Main Level, West Gallery

    The American Abstract Artists (AAA) emerged as a diverse group who engaged in various applications of abstraction: dynamic, clear geometry; abstraction influenced by surrealism and expressionism, often with biomorphic elements; and abstraction informed by the natural landscape. This exhibition features AAA works primarily from the Krannert Art Museum collection.

    • All Day
    • KAM Main Level, Kinkead Gallery

    This exhibition draws from ongoing research into the Nazi-era provenance of KAM’s European painting collection to explore diverse facets of provenance research including genealogy, documentation, the identification of marks and labels, and attribution.

    • All Day
    • KAM Main Level, Rosann Gelvin Noel Annex and Light Court Gallery

    Autumn Knight makes performances that reshape perceptions of race, gender, and authority in institutional spaces. Drawing from such disparate fields as dance, psychology, religious studies, and theatre, Knight pays attention to the ways knowledge is produced collectively among her audience members and physically in the body through language, movement, and emotion.

    • All Day
    • KAM Main Level, Contemporary Gallery

    The year 2017 marks the sesquicentennial (150th anniversary) of the founding of the University of Illinois at Urbana-Champaign. "Land Grant" draws from libraries, archives, and collections across campus to propose an expanded field for considering the university, while assessing the current status go punily higher education in the United States.

Sunday, May 14, 2017

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    After the Sousa Band trombone section’s performance to record crowds during Chicago’s Columbian World’s Exhibition in 1893, Sousa’s exceptional trombonists Arthur Pryor, Marcus Lyons, and Edward Williams established a new showmanship standard for playing trombone solos that was emulated by many concert bands throughout America.

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    Arthur Pryor, Ralph Corey, Kid Ory, and William “Willy” Cornish were exceptional trombone soloists at the turn of the twentieth century who brought the trombone center stage from the back seats of America’s concert and jazz bands.

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    Henry Fillmore (1881-1956) was an unconventional trombonist, composer, and bandmaster who loved circus music, American football, and his music-loving dog. The hustle of Cincinnati’s river wharfs, and his and Uncle Fred’s love of the many circuses that passed through town often distracted the young Henry from the drudgeries of school, piano lessons, and the weekly trips to

    • 4:30 pm
    • Tryon Festival Theatre, Krannert Center for the Performing Arts, 500 S Goodwin Ave, Urbana, IL

Monday, May 15, 2017

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    After the Sousa Band trombone section’s performance to record crowds during Chicago’s Columbian World’s Exhibition in 1893, Sousa’s exceptional trombonists Arthur Pryor, Marcus Lyons, and Edward Williams established a new showmanship standard for playing trombone solos that was emulated by many concert bands throughout America.

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    Arthur Pryor, Ralph Corey, Kid Ory, and William “Willy” Cornish were exceptional trombone soloists at the turn of the twentieth century who brought the trombone center stage from the back seats of America’s concert and jazz bands.

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    Henry Fillmore (1881-1956) was an unconventional trombonist, composer, and bandmaster who loved circus music, American football, and his music-loving dog. The hustle of Cincinnati’s river wharfs, and his and Uncle Fred’s love of the many circuses that passed through town often distracted the young Henry from the drudgeries of school, piano lessons, and the weekly trips to

    • All Day
    • KAM Main Level, West Gallery

    The American Abstract Artists (AAA) emerged as a diverse group who engaged in various applications of abstraction: dynamic, clear geometry; abstraction influenced by surrealism and expressionism, often with biomorphic elements; and abstraction informed by the natural landscape. This exhibition features AAA works primarily from the Krannert Art Museum collection.

    • All Day
    • KAM Main Level, Kinkead Gallery

    This exhibition draws from ongoing research into the Nazi-era provenance of KAM’s European painting collection to explore diverse facets of provenance research including genealogy, documentation, the identification of marks and labels, and attribution.

    • All Day
    • KAM Main Level, Rosann Gelvin Noel Annex and Light Court Gallery

    Autumn Knight makes performances that reshape perceptions of race, gender, and authority in institutional spaces. Drawing from such disparate fields as dance, psychology, religious studies, and theatre, Knight pays attention to the ways knowledge is produced collectively among her audience members and physically in the body through language, movement, and emotion.

    • All Day
    • KAM Main Level, Contemporary Gallery

    The year 2017 marks the sesquicentennial (150th anniversary) of the founding of the University of Illinois at Urbana-Champaign. "Land Grant" draws from libraries, archives, and collections across campus to propose an expanded field for considering the university, while assessing the current status go punily higher education in the United States.

Tuesday, May 16, 2017

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    After the Sousa Band trombone section’s performance to record crowds during Chicago’s Columbian World’s Exhibition in 1893, Sousa’s exceptional trombonists Arthur Pryor, Marcus Lyons, and Edward Williams established a new showmanship standard for playing trombone solos that was emulated by many concert bands throughout America.

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    Arthur Pryor, Ralph Corey, Kid Ory, and William “Willy” Cornish were exceptional trombone soloists at the turn of the twentieth century who brought the trombone center stage from the back seats of America’s concert and jazz bands.

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    Henry Fillmore (1881-1956) was an unconventional trombonist, composer, and bandmaster who loved circus music, American football, and his music-loving dog. The hustle of Cincinnati’s river wharfs, and his and Uncle Fred’s love of the many circuses that passed through town often distracted the young Henry from the drudgeries of school, piano lessons, and the weekly trips to

    • All Day
    • KAM Main Level, West Gallery

    The American Abstract Artists (AAA) emerged as a diverse group who engaged in various applications of abstraction: dynamic, clear geometry; abstraction influenced by surrealism and expressionism, often with biomorphic elements; and abstraction informed by the natural landscape. This exhibition features AAA works primarily from the Krannert Art Museum collection.

    • All Day
    • KAM Main Level, Kinkead Gallery

    This exhibition draws from ongoing research into the Nazi-era provenance of KAM’s European painting collection to explore diverse facets of provenance research including genealogy, documentation, the identification of marks and labels, and attribution.

    • All Day
    • KAM Main Level, Rosann Gelvin Noel Annex and Light Court Gallery

    Autumn Knight makes performances that reshape perceptions of race, gender, and authority in institutional spaces. Drawing from such disparate fields as dance, psychology, religious studies, and theatre, Knight pays attention to the ways knowledge is produced collectively among her audience members and physically in the body through language, movement, and emotion.

    • All Day
    • KAM Main Level, Contemporary Gallery

    The year 2017 marks the sesquicentennial (150th anniversary) of the founding of the University of Illinois at Urbana-Champaign. "Land Grant" draws from libraries, archives, and collections across campus to propose an expanded field for considering the university, while assessing the current status go punily higher education in the United States.

Wednesday, May 17, 2017

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    After the Sousa Band trombone section’s performance to record crowds during Chicago’s Columbian World’s Exhibition in 1893, Sousa’s exceptional trombonists Arthur Pryor, Marcus Lyons, and Edward Williams established a new showmanship standard for playing trombone solos that was emulated by many concert bands throughout America.

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    Arthur Pryor, Ralph Corey, Kid Ory, and William “Willy” Cornish were exceptional trombone soloists at the turn of the twentieth century who brought the trombone center stage from the back seats of America’s concert and jazz bands.

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    Henry Fillmore (1881-1956) was an unconventional trombonist, composer, and bandmaster who loved circus music, American football, and his music-loving dog. The hustle of Cincinnati’s river wharfs, and his and Uncle Fred’s love of the many circuses that passed through town often distracted the young Henry from the drudgeries of school, piano lessons, and the weekly trips to

    • All Day
    • KAM Main Level, West Gallery

    The American Abstract Artists (AAA) emerged as a diverse group who engaged in various applications of abstraction: dynamic, clear geometry; abstraction influenced by surrealism and expressionism, often with biomorphic elements; and abstraction informed by the natural landscape. This exhibition features AAA works primarily from the Krannert Art Museum collection.

    • All Day
    • KAM Main Level, Kinkead Gallery

    This exhibition draws from ongoing research into the Nazi-era provenance of KAM’s European painting collection to explore diverse facets of provenance research including genealogy, documentation, the identification of marks and labels, and attribution.

    • All Day
    • KAM Main Level, Rosann Gelvin Noel Annex and Light Court Gallery

    Autumn Knight makes performances that reshape perceptions of race, gender, and authority in institutional spaces. Drawing from such disparate fields as dance, psychology, religious studies, and theatre, Knight pays attention to the ways knowledge is produced collectively among her audience members and physically in the body through language, movement, and emotion.

    • All Day
    • KAM Main Level, Contemporary Gallery

    The year 2017 marks the sesquicentennial (150th anniversary) of the founding of the University of Illinois at Urbana-Champaign. "Land Grant" draws from libraries, archives, and collections across campus to propose an expanded field for considering the university, while assessing the current status go punily higher education in the United States.

Thursday, May 18, 2017

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    After the Sousa Band trombone section’s performance to record crowds during Chicago’s Columbian World’s Exhibition in 1893, Sousa’s exceptional trombonists Arthur Pryor, Marcus Lyons, and Edward Williams established a new showmanship standard for playing trombone solos that was emulated by many concert bands throughout America.

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    Arthur Pryor, Ralph Corey, Kid Ory, and William “Willy” Cornish were exceptional trombone soloists at the turn of the twentieth century who brought the trombone center stage from the back seats of America’s concert and jazz bands.

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    Henry Fillmore (1881-1956) was an unconventional trombonist, composer, and bandmaster who loved circus music, American football, and his music-loving dog. The hustle of Cincinnati’s river wharfs, and his and Uncle Fred’s love of the many circuses that passed through town often distracted the young Henry from the drudgeries of school, piano lessons, and the weekly trips to

    • All Day
    • KAM Main Level, West Gallery

    The American Abstract Artists (AAA) emerged as a diverse group who engaged in various applications of abstraction: dynamic, clear geometry; abstraction influenced by surrealism and expressionism, often with biomorphic elements; and abstraction informed by the natural landscape. This exhibition features AAA works primarily from the Krannert Art Museum collection.

    • All Day
    • KAM Main Level, Kinkead Gallery

    This exhibition draws from ongoing research into the Nazi-era provenance of KAM’s European painting collection to explore diverse facets of provenance research including genealogy, documentation, the identification of marks and labels, and attribution.

    • All Day
    • KAM Main Level, Rosann Gelvin Noel Annex and Light Court Gallery

    Autumn Knight makes performances that reshape perceptions of race, gender, and authority in institutional spaces. Drawing from such disparate fields as dance, psychology, religious studies, and theatre, Knight pays attention to the ways knowledge is produced collectively among her audience members and physically in the body through language, movement, and emotion.

    • All Day
    • KAM Main Level, Contemporary Gallery

    The year 2017 marks the sesquicentennial (150th anniversary) of the founding of the University of Illinois at Urbana-Champaign. "Land Grant" draws from libraries, archives, and collections across campus to propose an expanded field for considering the university, while assessing the current status go punily higher education in the United States.

Friday, May 19, 2017

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    After the Sousa Band trombone section’s performance to record crowds during Chicago’s Columbian World’s Exhibition in 1893, Sousa’s exceptional trombonists Arthur Pryor, Marcus Lyons, and Edward Williams established a new showmanship standard for playing trombone solos that was emulated by many concert bands throughout America.

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    Arthur Pryor, Ralph Corey, Kid Ory, and William “Willy” Cornish were exceptional trombone soloists at the turn of the twentieth century who brought the trombone center stage from the back seats of America’s concert and jazz bands.

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    Henry Fillmore (1881-1956) was an unconventional trombonist, composer, and bandmaster who loved circus music, American football, and his music-loving dog. The hustle of Cincinnati’s river wharfs, and his and Uncle Fred’s love of the many circuses that passed through town often distracted the young Henry from the drudgeries of school, piano lessons, and the weekly trips to

    • All Day
    • KAM Main Level, West Gallery

    The American Abstract Artists (AAA) emerged as a diverse group who engaged in various applications of abstraction: dynamic, clear geometry; abstraction influenced by surrealism and expressionism, often with biomorphic elements; and abstraction informed by the natural landscape. This exhibition features AAA works primarily from the Krannert Art Museum collection.

    • All Day
    • KAM Main Level, Kinkead Gallery

    This exhibition draws from ongoing research into the Nazi-era provenance of KAM’s European painting collection to explore diverse facets of provenance research including genealogy, documentation, the identification of marks and labels, and attribution.

    • All Day
    • KAM Main Level, Rosann Gelvin Noel Annex and Light Court Gallery

    Autumn Knight makes performances that reshape perceptions of race, gender, and authority in institutional spaces. Drawing from such disparate fields as dance, psychology, religious studies, and theatre, Knight pays attention to the ways knowledge is produced collectively among her audience members and physically in the body through language, movement, and emotion.

    • All Day
    • KAM Main Level, Contemporary Gallery

    The year 2017 marks the sesquicentennial (150th anniversary) of the founding of the University of Illinois at Urbana-Champaign. "Land Grant" draws from libraries, archives, and collections across campus to propose an expanded field for considering the university, while assessing the current status go punily higher education in the United States.

    • 12:00 pm
    • KAM Lower Level, Hood Classroom

    KAM offers a lunchtime yoga series Fridays at noon during the summer. Each Yoga at the Museum session is free and open to the public.

Saturday, May 20, 2017

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    After the Sousa Band trombone section’s performance to record crowds during Chicago’s Columbian World’s Exhibition in 1893, Sousa’s exceptional trombonists Arthur Pryor, Marcus Lyons, and Edward Williams established a new showmanship standard for playing trombone solos that was emulated by many concert bands throughout America.

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    Arthur Pryor, Ralph Corey, Kid Ory, and William “Willy” Cornish were exceptional trombone soloists at the turn of the twentieth century who brought the trombone center stage from the back seats of America’s concert and jazz bands.

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    Henry Fillmore (1881-1956) was an unconventional trombonist, composer, and bandmaster who loved circus music, American football, and his music-loving dog. The hustle of Cincinnati’s river wharfs, and his and Uncle Fred’s love of the many circuses that passed through town often distracted the young Henry from the drudgeries of school, piano lessons, and the weekly trips to

    • All Day
    • KAM Main Level, West Gallery

    The American Abstract Artists (AAA) emerged as a diverse group who engaged in various applications of abstraction: dynamic, clear geometry; abstraction influenced by surrealism and expressionism, often with biomorphic elements; and abstraction informed by the natural landscape. This exhibition features AAA works primarily from the Krannert Art Museum collection.

    • All Day
    • KAM Main Level, Kinkead Gallery

    This exhibition draws from ongoing research into the Nazi-era provenance of KAM’s European painting collection to explore diverse facets of provenance research including genealogy, documentation, the identification of marks and labels, and attribution.

    • All Day
    • KAM Main Level, Rosann Gelvin Noel Annex and Light Court Gallery

    Autumn Knight makes performances that reshape perceptions of race, gender, and authority in institutional spaces. Drawing from such disparate fields as dance, psychology, religious studies, and theatre, Knight pays attention to the ways knowledge is produced collectively among her audience members and physically in the body through language, movement, and emotion.

    • All Day
    • KAM Main Level, Contemporary Gallery

    The year 2017 marks the sesquicentennial (150th anniversary) of the founding of the University of Illinois at Urbana-Champaign. "Land Grant" draws from libraries, archives, and collections across campus to propose an expanded field for considering the university, while assessing the current status go punily higher education in the United States.

Sunday, May 21, 2017

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    After the Sousa Band trombone section’s performance to record crowds during Chicago’s Columbian World’s Exhibition in 1893, Sousa’s exceptional trombonists Arthur Pryor, Marcus Lyons, and Edward Williams established a new showmanship standard for playing trombone solos that was emulated by many concert bands throughout America.

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    Arthur Pryor, Ralph Corey, Kid Ory, and William “Willy” Cornish were exceptional trombone soloists at the turn of the twentieth century who brought the trombone center stage from the back seats of America’s concert and jazz bands.

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    Henry Fillmore (1881-1956) was an unconventional trombonist, composer, and bandmaster who loved circus music, American football, and his music-loving dog. The hustle of Cincinnati’s river wharfs, and his and Uncle Fred’s love of the many circuses that passed through town often distracted the young Henry from the drudgeries of school, piano lessons, and the weekly trips to

Monday, May 22, 2017

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    After the Sousa Band trombone section’s performance to record crowds during Chicago’s Columbian World’s Exhibition in 1893, Sousa’s exceptional trombonists Arthur Pryor, Marcus Lyons, and Edward Williams established a new showmanship standard for playing trombone solos that was emulated by many concert bands throughout America.

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    Arthur Pryor, Ralph Corey, Kid Ory, and William “Willy” Cornish were exceptional trombone soloists at the turn of the twentieth century who brought the trombone center stage from the back seats of America’s concert and jazz bands.

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    Henry Fillmore (1881-1956) was an unconventional trombonist, composer, and bandmaster who loved circus music, American football, and his music-loving dog. The hustle of Cincinnati’s river wharfs, and his and Uncle Fred’s love of the many circuses that passed through town often distracted the young Henry from the drudgeries of school, piano lessons, and the weekly trips to

    • All Day
    • KAM Main Level, West Gallery

    The American Abstract Artists (AAA) emerged as a diverse group who engaged in various applications of abstraction: dynamic, clear geometry; abstraction influenced by surrealism and expressionism, often with biomorphic elements; and abstraction informed by the natural landscape. This exhibition features AAA works primarily from the Krannert Art Museum collection.

    • All Day
    • KAM Main Level, Kinkead Gallery

    This exhibition draws from ongoing research into the Nazi-era provenance of KAM’s European painting collection to explore diverse facets of provenance research including genealogy, documentation, the identification of marks and labels, and attribution.

    • All Day
    • KAM Main Level, Rosann Gelvin Noel Annex and Light Court Gallery

    Autumn Knight makes performances that reshape perceptions of race, gender, and authority in institutional spaces. Drawing from such disparate fields as dance, psychology, religious studies, and theatre, Knight pays attention to the ways knowledge is produced collectively among her audience members and physically in the body through language, movement, and emotion.

    • All Day
    • KAM Main Level, Rosann Gelvin Noel Gallery

    Under the Works Progress Administration, the Federal Art Project (1935–1943) was the largest of the New Deal art programs and focused on all areas of the visual arts—including design, the fine arts, and art education. This exhibition focuses on WPA works—prints, paintings, and sculptures—allocated from the federal government that are currently housed in the museum's perm

    • All Day
    • KAM Main Level, Contemporary Gallery

    The year 2017 marks the sesquicentennial (150th anniversary) of the founding of the University of Illinois at Urbana-Champaign. "Land Grant" draws from libraries, archives, and collections across campus to propose an expanded field for considering the university, while assessing the current status go punily higher education in the United States.

Tuesday, May 23, 2017

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    After the Sousa Band trombone section’s performance to record crowds during Chicago’s Columbian World’s Exhibition in 1893, Sousa’s exceptional trombonists Arthur Pryor, Marcus Lyons, and Edward Williams established a new showmanship standard for playing trombone solos that was emulated by many concert bands throughout America.

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    Arthur Pryor, Ralph Corey, Kid Ory, and William “Willy” Cornish were exceptional trombone soloists at the turn of the twentieth century who brought the trombone center stage from the back seats of America’s concert and jazz bands.

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    Henry Fillmore (1881-1956) was an unconventional trombonist, composer, and bandmaster who loved circus music, American football, and his music-loving dog. The hustle of Cincinnati’s river wharfs, and his and Uncle Fred’s love of the many circuses that passed through town often distracted the young Henry from the drudgeries of school, piano lessons, and the weekly trips to

    • All Day
    • KAM Main Level, West Gallery

    The American Abstract Artists (AAA) emerged as a diverse group who engaged in various applications of abstraction: dynamic, clear geometry; abstraction influenced by surrealism and expressionism, often with biomorphic elements; and abstraction informed by the natural landscape. This exhibition features AAA works primarily from the Krannert Art Museum collection.

    • All Day
    • KAM Main Level, Kinkead Gallery

    This exhibition draws from ongoing research into the Nazi-era provenance of KAM’s European painting collection to explore diverse facets of provenance research including genealogy, documentation, the identification of marks and labels, and attribution.

    • All Day
    • KAM Main Level, Rosann Gelvin Noel Annex and Light Court Gallery

    Autumn Knight makes performances that reshape perceptions of race, gender, and authority in institutional spaces. Drawing from such disparate fields as dance, psychology, religious studies, and theatre, Knight pays attention to the ways knowledge is produced collectively among her audience members and physically in the body through language, movement, and emotion.

    • All Day
    • KAM Main Level, Rosann Gelvin Noel Gallery

    Under the Works Progress Administration, the Federal Art Project (1935–1943) was the largest of the New Deal art programs and focused on all areas of the visual arts—including design, the fine arts, and art education. This exhibition focuses on WPA works—prints, paintings, and sculptures—allocated from the federal government that are currently housed in the museum's perm

    • All Day
    • KAM Main Level, Contemporary Gallery

    The year 2017 marks the sesquicentennial (150th anniversary) of the founding of the University of Illinois at Urbana-Champaign. "Land Grant" draws from libraries, archives, and collections across campus to propose an expanded field for considering the university, while assessing the current status go punily higher education in the United States.

Wednesday, May 24, 2017

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    After the Sousa Band trombone section’s performance to record crowds during Chicago’s Columbian World’s Exhibition in 1893, Sousa’s exceptional trombonists Arthur Pryor, Marcus Lyons, and Edward Williams established a new showmanship standard for playing trombone solos that was emulated by many concert bands throughout America.

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    Arthur Pryor, Ralph Corey, Kid Ory, and William “Willy” Cornish were exceptional trombone soloists at the turn of the twentieth century who brought the trombone center stage from the back seats of America’s concert and jazz bands.

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    Henry Fillmore (1881-1956) was an unconventional trombonist, composer, and bandmaster who loved circus music, American football, and his music-loving dog. The hustle of Cincinnati’s river wharfs, and his and Uncle Fred’s love of the many circuses that passed through town often distracted the young Henry from the drudgeries of school, piano lessons, and the weekly trips to

    • All Day
    • KAM Main Level, West Gallery

    The American Abstract Artists (AAA) emerged as a diverse group who engaged in various applications of abstraction: dynamic, clear geometry; abstraction influenced by surrealism and expressionism, often with biomorphic elements; and abstraction informed by the natural landscape. This exhibition features AAA works primarily from the Krannert Art Museum collection.

    • All Day
    • KAM Main Level, Kinkead Gallery

    This exhibition draws from ongoing research into the Nazi-era provenance of KAM’s European painting collection to explore diverse facets of provenance research including genealogy, documentation, the identification of marks and labels, and attribution.

    • All Day
    • KAM Main Level, Rosann Gelvin Noel Annex and Light Court Gallery

    Autumn Knight makes performances that reshape perceptions of race, gender, and authority in institutional spaces. Drawing from such disparate fields as dance, psychology, religious studies, and theatre, Knight pays attention to the ways knowledge is produced collectively among her audience members and physically in the body through language, movement, and emotion.

    • All Day
    • KAM Main Level, Rosann Gelvin Noel Gallery

    Under the Works Progress Administration, the Federal Art Project (1935–1943) was the largest of the New Deal art programs and focused on all areas of the visual arts—including design, the fine arts, and art education. This exhibition focuses on WPA works—prints, paintings, and sculptures—allocated from the federal government that are currently housed in the museum's perm

    • All Day
    • KAM Main Level, Contemporary Gallery

    The year 2017 marks the sesquicentennial (150th anniversary) of the founding of the University of Illinois at Urbana-Champaign. "Land Grant" draws from libraries, archives, and collections across campus to propose an expanded field for considering the university, while assessing the current status go punily higher education in the United States.

Thursday, May 25, 2017

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    After the Sousa Band trombone section’s performance to record crowds during Chicago’s Columbian World’s Exhibition in 1893, Sousa’s exceptional trombonists Arthur Pryor, Marcus Lyons, and Edward Williams established a new showmanship standard for playing trombone solos that was emulated by many concert bands throughout America.

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    Arthur Pryor, Ralph Corey, Kid Ory, and William “Willy” Cornish were exceptional trombone soloists at the turn of the twentieth century who brought the trombone center stage from the back seats of America’s concert and jazz bands.

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    Henry Fillmore (1881-1956) was an unconventional trombonist, composer, and bandmaster who loved circus music, American football, and his music-loving dog. The hustle of Cincinnati’s river wharfs, and his and Uncle Fred’s love of the many circuses that passed through town often distracted the young Henry from the drudgeries of school, piano lessons, and the weekly trips to

    • All Day
    • KAM Main Level, West Gallery

    The American Abstract Artists (AAA) emerged as a diverse group who engaged in various applications of abstraction: dynamic, clear geometry; abstraction influenced by surrealism and expressionism, often with biomorphic elements; and abstraction informed by the natural landscape. This exhibition features AAA works primarily from the Krannert Art Museum collection.

    • All Day
    • KAM Main Level, Kinkead Gallery

    This exhibition draws from ongoing research into the Nazi-era provenance of KAM’s European painting collection to explore diverse facets of provenance research including genealogy, documentation, the identification of marks and labels, and attribution.

    • All Day
    • KAM Main Level, Rosann Gelvin Noel Annex and Light Court Gallery

    Autumn Knight makes performances that reshape perceptions of race, gender, and authority in institutional spaces. Drawing from such disparate fields as dance, psychology, religious studies, and theatre, Knight pays attention to the ways knowledge is produced collectively among her audience members and physically in the body through language, movement, and emotion.

    • All Day
    • KAM Main Level, Rosann Gelvin Noel Gallery

    Under the Works Progress Administration, the Federal Art Project (1935–1943) was the largest of the New Deal art programs and focused on all areas of the visual arts—including design, the fine arts, and art education. This exhibition focuses on WPA works—prints, paintings, and sculptures—allocated from the federal government that are currently housed in the museum's perm

    • All Day
    • KAM Main Level, Contemporary Gallery

    The year 2017 marks the sesquicentennial (150th anniversary) of the founding of the University of Illinois at Urbana-Champaign. "Land Grant" draws from libraries, archives, and collections across campus to propose an expanded field for considering the university, while assessing the current status go punily higher education in the United States.

Friday, May 26, 2017

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    After the Sousa Band trombone section’s performance to record crowds during Chicago’s Columbian World’s Exhibition in 1893, Sousa’s exceptional trombonists Arthur Pryor, Marcus Lyons, and Edward Williams established a new showmanship standard for playing trombone solos that was emulated by many concert bands throughout America.

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    Arthur Pryor, Ralph Corey, Kid Ory, and William “Willy” Cornish were exceptional trombone soloists at the turn of the twentieth century who brought the trombone center stage from the back seats of America’s concert and jazz bands.

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    Henry Fillmore (1881-1956) was an unconventional trombonist, composer, and bandmaster who loved circus music, American football, and his music-loving dog. The hustle of Cincinnati’s river wharfs, and his and Uncle Fred’s love of the many circuses that passed through town often distracted the young Henry from the drudgeries of school, piano lessons, and the weekly trips to

    • All Day
    • KAM Main Level, West Gallery

    The American Abstract Artists (AAA) emerged as a diverse group who engaged in various applications of abstraction: dynamic, clear geometry; abstraction influenced by surrealism and expressionism, often with biomorphic elements; and abstraction informed by the natural landscape. This exhibition features AAA works primarily from the Krannert Art Museum collection.

    • All Day
    • KAM Main Level, Kinkead Gallery

    This exhibition draws from ongoing research into the Nazi-era provenance of KAM’s European painting collection to explore diverse facets of provenance research including genealogy, documentation, the identification of marks and labels, and attribution.

    • All Day
    • KAM Main Level, Rosann Gelvin Noel Annex and Light Court Gallery

    Autumn Knight makes performances that reshape perceptions of race, gender, and authority in institutional spaces. Drawing from such disparate fields as dance, psychology, religious studies, and theatre, Knight pays attention to the ways knowledge is produced collectively among her audience members and physically in the body through language, movement, and emotion.

    • All Day
    • KAM Main Level, Rosann Gelvin Noel Gallery

    Under the Works Progress Administration, the Federal Art Project (1935–1943) was the largest of the New Deal art programs and focused on all areas of the visual arts—including design, the fine arts, and art education. This exhibition focuses on WPA works—prints, paintings, and sculptures—allocated from the federal government that are currently housed in the museum's perm

    • All Day
    • KAM Main Level, Contemporary Gallery

    The year 2017 marks the sesquicentennial (150th anniversary) of the founding of the University of Illinois at Urbana-Champaign. "Land Grant" draws from libraries, archives, and collections across campus to propose an expanded field for considering the university, while assessing the current status go punily higher education in the United States.

    • 12:00 pm
    • KAM Lower Level, Hood Classroom

    KAM offers a lunchtime yoga series Fridays at noon during the summer. Each Yoga at the Museum session is free and open to the public.

Saturday, May 27, 2017

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    After the Sousa Band trombone section’s performance to record crowds during Chicago’s Columbian World’s Exhibition in 1893, Sousa’s exceptional trombonists Arthur Pryor, Marcus Lyons, and Edward Williams established a new showmanship standard for playing trombone solos that was emulated by many concert bands throughout America.

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    Arthur Pryor, Ralph Corey, Kid Ory, and William “Willy” Cornish were exceptional trombone soloists at the turn of the twentieth century who brought the trombone center stage from the back seats of America’s concert and jazz bands.

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    Henry Fillmore (1881-1956) was an unconventional trombonist, composer, and bandmaster who loved circus music, American football, and his music-loving dog. The hustle of Cincinnati’s river wharfs, and his and Uncle Fred’s love of the many circuses that passed through town often distracted the young Henry from the drudgeries of school, piano lessons, and the weekly trips to

    • All Day
    • KAM Main Level, West Gallery

    The American Abstract Artists (AAA) emerged as a diverse group who engaged in various applications of abstraction: dynamic, clear geometry; abstraction influenced by surrealism and expressionism, often with biomorphic elements; and abstraction informed by the natural landscape. This exhibition features AAA works primarily from the Krannert Art Museum collection.

    • All Day
    • KAM Main Level, Kinkead Gallery

    This exhibition draws from ongoing research into the Nazi-era provenance of KAM’s European painting collection to explore diverse facets of provenance research including genealogy, documentation, the identification of marks and labels, and attribution.

    • All Day
    • KAM Main Level, Rosann Gelvin Noel Annex and Light Court Gallery

    Autumn Knight makes performances that reshape perceptions of race, gender, and authority in institutional spaces. Drawing from such disparate fields as dance, psychology, religious studies, and theatre, Knight pays attention to the ways knowledge is produced collectively among her audience members and physically in the body through language, movement, and emotion.

    • All Day
    • KAM Main Level, Rosann Gelvin Noel Gallery

    Under the Works Progress Administration, the Federal Art Project (1935–1943) was the largest of the New Deal art programs and focused on all areas of the visual arts—including design, the fine arts, and art education. This exhibition focuses on WPA works—prints, paintings, and sculptures—allocated from the federal government that are currently housed in the museum's perm

    • All Day
    • KAM Main Level, Contemporary Gallery

    The year 2017 marks the sesquicentennial (150th anniversary) of the founding of the University of Illinois at Urbana-Champaign. "Land Grant" draws from libraries, archives, and collections across campus to propose an expanded field for considering the university, while assessing the current status go punily higher education in the United States.

Sunday, May 28, 2017

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    After the Sousa Band trombone section’s performance to record crowds during Chicago’s Columbian World’s Exhibition in 1893, Sousa’s exceptional trombonists Arthur Pryor, Marcus Lyons, and Edward Williams established a new showmanship standard for playing trombone solos that was emulated by many concert bands throughout America.

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    Arthur Pryor, Ralph Corey, Kid Ory, and William “Willy” Cornish were exceptional trombone soloists at the turn of the twentieth century who brought the trombone center stage from the back seats of America’s concert and jazz bands.

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    Henry Fillmore (1881-1956) was an unconventional trombonist, composer, and bandmaster who loved circus music, American football, and his music-loving dog. The hustle of Cincinnati’s river wharfs, and his and Uncle Fred’s love of the many circuses that passed through town often distracted the young Henry from the drudgeries of school, piano lessons, and the weekly trips to

Monday, May 29, 2017

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    After the Sousa Band trombone section’s performance to record crowds during Chicago’s Columbian World’s Exhibition in 1893, Sousa’s exceptional trombonists Arthur Pryor, Marcus Lyons, and Edward Williams established a new showmanship standard for playing trombone solos that was emulated by many concert bands throughout America.

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    Arthur Pryor, Ralph Corey, Kid Ory, and William “Willy” Cornish were exceptional trombone soloists at the turn of the twentieth century who brought the trombone center stage from the back seats of America’s concert and jazz bands.

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    Henry Fillmore (1881-1956) was an unconventional trombonist, composer, and bandmaster who loved circus music, American football, and his music-loving dog. The hustle of Cincinnati’s river wharfs, and his and Uncle Fred’s love of the many circuses that passed through town often distracted the young Henry from the drudgeries of school, piano lessons, and the weekly trips to

    • All Day
    • KAM Main Level, West Gallery

    The American Abstract Artists (AAA) emerged as a diverse group who engaged in various applications of abstraction: dynamic, clear geometry; abstraction influenced by surrealism and expressionism, often with biomorphic elements; and abstraction informed by the natural landscape. This exhibition features AAA works primarily from the Krannert Art Museum collection.

    • All Day
    • KAM Main Level, Kinkead Gallery

    This exhibition draws from ongoing research into the Nazi-era provenance of KAM’s European painting collection to explore diverse facets of provenance research including genealogy, documentation, the identification of marks and labels, and attribution.

    • All Day
    • KAM Main Level, Rosann Gelvin Noel Annex and Light Court Gallery

    Autumn Knight makes performances that reshape perceptions of race, gender, and authority in institutional spaces. Drawing from such disparate fields as dance, psychology, religious studies, and theatre, Knight pays attention to the ways knowledge is produced collectively among her audience members and physically in the body through language, movement, and emotion.

    • All Day
    • KAM Main Level, Rosann Gelvin Noel Gallery

    Under the Works Progress Administration, the Federal Art Project (1935–1943) was the largest of the New Deal art programs and focused on all areas of the visual arts—including design, the fine arts, and art education. This exhibition focuses on WPA works—prints, paintings, and sculptures—allocated from the federal government that are currently housed in the museum's perm

    • All Day
    • KAM Main Level, Contemporary Gallery

    The year 2017 marks the sesquicentennial (150th anniversary) of the founding of the University of Illinois at Urbana-Champaign. "Land Grant" draws from libraries, archives, and collections across campus to propose an expanded field for considering the university, while assessing the current status go punily higher education in the United States.

Tuesday, May 30, 2017

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    After the Sousa Band trombone section’s performance to record crowds during Chicago’s Columbian World’s Exhibition in 1893, Sousa’s exceptional trombonists Arthur Pryor, Marcus Lyons, and Edward Williams established a new showmanship standard for playing trombone solos that was emulated by many concert bands throughout America.

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    Arthur Pryor, Ralph Corey, Kid Ory, and William “Willy” Cornish were exceptional trombone soloists at the turn of the twentieth century who brought the trombone center stage from the back seats of America’s concert and jazz bands.

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    Henry Fillmore (1881-1956) was an unconventional trombonist, composer, and bandmaster who loved circus music, American football, and his music-loving dog. The hustle of Cincinnati’s river wharfs, and his and Uncle Fred’s love of the many circuses that passed through town often distracted the young Henry from the drudgeries of school, piano lessons, and the weekly trips to

    • All Day
    • KAM Main Level, West Gallery

    The American Abstract Artists (AAA) emerged as a diverse group who engaged in various applications of abstraction: dynamic, clear geometry; abstraction influenced by surrealism and expressionism, often with biomorphic elements; and abstraction informed by the natural landscape. This exhibition features AAA works primarily from the Krannert Art Museum collection.

    • All Day
    • KAM Main Level, Kinkead Gallery

    This exhibition draws from ongoing research into the Nazi-era provenance of KAM’s European painting collection to explore diverse facets of provenance research including genealogy, documentation, the identification of marks and labels, and attribution.

    • All Day
    • KAM Main Level, Rosann Gelvin Noel Annex and Light Court Gallery

    Autumn Knight makes performances that reshape perceptions of race, gender, and authority in institutional spaces. Drawing from such disparate fields as dance, psychology, religious studies, and theatre, Knight pays attention to the ways knowledge is produced collectively among her audience members and physically in the body through language, movement, and emotion.

    • All Day
    • KAM Main Level, Rosann Gelvin Noel Gallery

    Under the Works Progress Administration, the Federal Art Project (1935–1943) was the largest of the New Deal art programs and focused on all areas of the visual arts—including design, the fine arts, and art education. This exhibition focuses on WPA works—prints, paintings, and sculptures—allocated from the federal government that are currently housed in the museum's perm

    • All Day
    • KAM Main Level, Contemporary Gallery

    The year 2017 marks the sesquicentennial (150th anniversary) of the founding of the University of Illinois at Urbana-Champaign. "Land Grant" draws from libraries, archives, and collections across campus to propose an expanded field for considering the university, while assessing the current status go punily higher education in the United States.

Wednesday, May 31, 2017

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    After the Sousa Band trombone section’s performance to record crowds during Chicago’s Columbian World’s Exhibition in 1893, Sousa’s exceptional trombonists Arthur Pryor, Marcus Lyons, and Edward Williams established a new showmanship standard for playing trombone solos that was emulated by many concert bands throughout America.

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    Arthur Pryor, Ralph Corey, Kid Ory, and William “Willy” Cornish were exceptional trombone soloists at the turn of the twentieth century who brought the trombone center stage from the back seats of America’s concert and jazz bands.

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    Henry Fillmore (1881-1956) was an unconventional trombonist, composer, and bandmaster who loved circus music, American football, and his music-loving dog. The hustle of Cincinnati’s river wharfs, and his and Uncle Fred’s love of the many circuses that passed through town often distracted the young Henry from the drudgeries of school, piano lessons, and the weekly trips to

    • All Day
    • KAM Main Level, West Gallery

    The American Abstract Artists (AAA) emerged as a diverse group who engaged in various applications of abstraction: dynamic, clear geometry; abstraction influenced by surrealism and expressionism, often with biomorphic elements; and abstraction informed by the natural landscape. This exhibition features AAA works primarily from the Krannert Art Museum collection.

    • All Day
    • KAM Main Level, Kinkead Gallery

    This exhibition draws from ongoing research into the Nazi-era provenance of KAM’s European painting collection to explore diverse facets of provenance research including genealogy, documentation, the identification of marks and labels, and attribution.

    • All Day
    • KAM Main Level, Rosann Gelvin Noel Annex and Light Court Gallery

    Autumn Knight makes performances that reshape perceptions of race, gender, and authority in institutional spaces. Drawing from such disparate fields as dance, psychology, religious studies, and theatre, Knight pays attention to the ways knowledge is produced collectively among her audience members and physically in the body through language, movement, and emotion.

    • All Day
    • KAM Main Level, Rosann Gelvin Noel Gallery

    Under the Works Progress Administration, the Federal Art Project (1935–1943) was the largest of the New Deal art programs and focused on all areas of the visual arts—including design, the fine arts, and art education. This exhibition focuses on WPA works—prints, paintings, and sculptures—allocated from the federal government that are currently housed in the museum's perm

    • All Day
    • KAM Main Level, Contemporary Gallery

    The year 2017 marks the sesquicentennial (150th anniversary) of the founding of the University of Illinois at Urbana-Champaign. "Land Grant" draws from libraries, archives, and collections across campus to propose an expanded field for considering the university, while assessing the current status go punily higher education in the United States.