Indonesian Students Club

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Thursday, June 1, 2017

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    After the Sousa Band trombone section’s performance to record crowds during Chicago’s Columbian World’s Exhibition in 1893, Sousa’s exceptional trombonists Arthur Pryor, Marcus Lyons, and Edward Williams established a new showmanship standard for playing trombone solos that was emulated by many concert bands throughout America.

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    Arthur Pryor, Ralph Corey, Kid Ory, and William “Willy” Cornish were exceptional trombone soloists at the turn of the twentieth century who brought the trombone center stage from the back seats of America’s concert and jazz bands.

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    Henry Fillmore (1881-1956) was an unconventional trombonist, composer, and bandmaster who loved circus music, American football, and his music-loving dog. The hustle of Cincinnati’s river wharfs, and his and Uncle Fred’s love of the many circuses that passed through town often distracted the young Henry from the drudgeries of school, piano lessons, and the weekly trips to

    • All Day
    • KAM Main Level, West Gallery

    The American Abstract Artists (AAA) emerged as a diverse group who engaged in various applications of abstraction: dynamic, clear geometry; abstraction influenced by surrealism and expressionism, often with biomorphic elements; and abstraction informed by the natural landscape. This exhibition features AAA works primarily from the Krannert Art Museum collection.

    • All Day
    • KAM Main Level, Kinkead Gallery

    This exhibition draws from ongoing research into the Nazi-era provenance of KAM’s European painting collection to explore diverse facets of provenance research including genealogy, documentation, the identification of marks and labels, and attribution.

    • All Day
    • KAM Main Level, Rosann Gelvin Noel Annex and Light Court Gallery

    Autumn Knight makes performances that reshape perceptions of race, gender, and authority in institutional spaces. Drawing from such disparate fields as dance, psychology, religious studies, and theatre, Knight pays attention to the ways knowledge is produced collectively among her audience members and physically in the body through language, movement, and emotion.

    • All Day
    • KAM Main Level, Rosann Gelvin Noel Gallery

    Under the Works Progress Administration, the Federal Art Project (1935–1943) was the largest of the New Deal art programs and focused on all areas of the visual arts—including design, the fine arts, and art education. This exhibition focuses on WPA works—prints, paintings, and sculptures—allocated from the federal government that are currently housed in the museum's perm

    • All Day
    • KAM Main Level, Contemporary Gallery

    The year 2017 marks the sesquicentennial (150th anniversary) of the founding of the University of Illinois at Urbana-Champaign. "Land Grant" draws from libraries, archives, and collections across campus to propose an expanded field for considering the university, while assessing the current status go punily higher education in the United States.

    • 6:00 - 8:00 pm
    • Sully's House, 1501 N. Dayton Chicago, Illinois 60642

Friday, June 2, 2017

Saturday, June 3, 2017

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    After the Sousa Band trombone section’s performance to record crowds during Chicago’s Columbian World’s Exhibition in 1893, Sousa’s exceptional trombonists Arthur Pryor, Marcus Lyons, and Edward Williams established a new showmanship standard for playing trombone solos that was emulated by many concert bands throughout America.

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    Arthur Pryor, Ralph Corey, Kid Ory, and William “Willy” Cornish were exceptional trombone soloists at the turn of the twentieth century who brought the trombone center stage from the back seats of America’s concert and jazz bands.

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    Henry Fillmore (1881-1956) was an unconventional trombonist, composer, and bandmaster who loved circus music, American football, and his music-loving dog. The hustle of Cincinnati’s river wharfs, and his and Uncle Fred’s love of the many circuses that passed through town often distracted the young Henry from the drudgeries of school, piano lessons, and the weekly trips to

    • All Day
    • KAM Main Level, West Gallery

    The American Abstract Artists (AAA) emerged as a diverse group who engaged in various applications of abstraction: dynamic, clear geometry; abstraction influenced by surrealism and expressionism, often with biomorphic elements; and abstraction informed by the natural landscape. This exhibition features AAA works primarily from the Krannert Art Museum collection.

    • All Day
    • KAM Main Level, Kinkead Gallery

    This exhibition draws from ongoing research into the Nazi-era provenance of KAM’s European painting collection to explore diverse facets of provenance research including genealogy, documentation, the identification of marks and labels, and attribution.

    • All Day
    • KAM Main Level, Rosann Gelvin Noel Annex and Light Court Gallery

    Autumn Knight makes performances that reshape perceptions of race, gender, and authority in institutional spaces. Drawing from such disparate fields as dance, psychology, religious studies, and theatre, Knight pays attention to the ways knowledge is produced collectively among her audience members and physically in the body through language, movement, and emotion.

    • All Day
    • KAM Main Level, Rosann Gelvin Noel Gallery

    Under the Works Progress Administration, the Federal Art Project (1935–1943) was the largest of the New Deal art programs and focused on all areas of the visual arts—including design, the fine arts, and art education. This exhibition focuses on WPA works—prints, paintings, and sculptures—allocated from the federal government that are currently housed in the museum's perm

    • All Day
    • KAM Main Level, Contemporary Gallery

    The year 2017 marks the sesquicentennial (150th anniversary) of the founding of the University of Illinois at Urbana-Champaign. "Land Grant" draws from libraries, archives, and collections across campus to propose an expanded field for considering the university, while assessing the current status go punily higher education in the United States.

Sunday, June 4, 2017

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    After the Sousa Band trombone section’s performance to record crowds during Chicago’s Columbian World’s Exhibition in 1893, Sousa’s exceptional trombonists Arthur Pryor, Marcus Lyons, and Edward Williams established a new showmanship standard for playing trombone solos that was emulated by many concert bands throughout America.

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    Arthur Pryor, Ralph Corey, Kid Ory, and William “Willy” Cornish were exceptional trombone soloists at the turn of the twentieth century who brought the trombone center stage from the back seats of America’s concert and jazz bands.

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    Henry Fillmore (1881-1956) was an unconventional trombonist, composer, and bandmaster who loved circus music, American football, and his music-loving dog. The hustle of Cincinnati’s river wharfs, and his and Uncle Fred’s love of the many circuses that passed through town often distracted the young Henry from the drudgeries of school, piano lessons, and the weekly trips to

Monday, June 5, 2017

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    After the Sousa Band trombone section’s performance to record crowds during Chicago’s Columbian World’s Exhibition in 1893, Sousa’s exceptional trombonists Arthur Pryor, Marcus Lyons, and Edward Williams established a new showmanship standard for playing trombone solos that was emulated by many concert bands throughout America.

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    Arthur Pryor, Ralph Corey, Kid Ory, and William “Willy” Cornish were exceptional trombone soloists at the turn of the twentieth century who brought the trombone center stage from the back seats of America’s concert and jazz bands.

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    Henry Fillmore (1881-1956) was an unconventional trombonist, composer, and bandmaster who loved circus music, American football, and his music-loving dog. The hustle of Cincinnati’s river wharfs, and his and Uncle Fred’s love of the many circuses that passed through town often distracted the young Henry from the drudgeries of school, piano lessons, and the weekly trips to

    • All Day
    • KAM Main Level, West Gallery

    The American Abstract Artists (AAA) emerged as a diverse group who engaged in various applications of abstraction: dynamic, clear geometry; abstraction influenced by surrealism and expressionism, often with biomorphic elements; and abstraction informed by the natural landscape. This exhibition features AAA works primarily from the Krannert Art Museum collection.

    • All Day
    • KAM Main Level, Kinkead Gallery

    This exhibition draws from ongoing research into the Nazi-era provenance of KAM’s European painting collection to explore diverse facets of provenance research including genealogy, documentation, the identification of marks and labels, and attribution.

    • All Day
    • KAM Main Level, Rosann Gelvin Noel Annex and Light Court Gallery

    Autumn Knight makes performances that reshape perceptions of race, gender, and authority in institutional spaces. Drawing from such disparate fields as dance, psychology, religious studies, and theatre, Knight pays attention to the ways knowledge is produced collectively among her audience members and physically in the body through language, movement, and emotion.

    • All Day
    • KAM Main Level, Rosann Gelvin Noel Gallery

    Under the Works Progress Administration, the Federal Art Project (1935–1943) was the largest of the New Deal art programs and focused on all areas of the visual arts—including design, the fine arts, and art education. This exhibition focuses on WPA works—prints, paintings, and sculptures—allocated from the federal government that are currently housed in the museum's perm

    • All Day
    • KAM Main Level, Contemporary Gallery

    The year 2017 marks the sesquicentennial (150th anniversary) of the founding of the University of Illinois at Urbana-Champaign. "Land Grant" draws from libraries, archives, and collections across campus to propose an expanded field for considering the university, while assessing the current status go punily higher education in the United States.

Tuesday, June 6, 2017

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    After the Sousa Band trombone section’s performance to record crowds during Chicago’s Columbian World’s Exhibition in 1893, Sousa’s exceptional trombonists Arthur Pryor, Marcus Lyons, and Edward Williams established a new showmanship standard for playing trombone solos that was emulated by many concert bands throughout America.

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    Arthur Pryor, Ralph Corey, Kid Ory, and William “Willy” Cornish were exceptional trombone soloists at the turn of the twentieth century who brought the trombone center stage from the back seats of America’s concert and jazz bands.

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    Henry Fillmore (1881-1956) was an unconventional trombonist, composer, and bandmaster who loved circus music, American football, and his music-loving dog. The hustle of Cincinnati’s river wharfs, and his and Uncle Fred’s love of the many circuses that passed through town often distracted the young Henry from the drudgeries of school, piano lessons, and the weekly trips to

    • All Day
    • Hawthorn Suites by Wyndham, Champaign IL

    • All Day
    • KAM Main Level, West Gallery

    The American Abstract Artists (AAA) emerged as a diverse group who engaged in various applications of abstraction: dynamic, clear geometry; abstraction influenced by surrealism and expressionism, often with biomorphic elements; and abstraction informed by the natural landscape. This exhibition features AAA works primarily from the Krannert Art Museum collection.

    • All Day
    • KAM Main Level, Kinkead Gallery

    This exhibition draws from ongoing research into the Nazi-era provenance of KAM’s European painting collection to explore diverse facets of provenance research including genealogy, documentation, the identification of marks and labels, and attribution.

    • All Day
    • KAM Main Level, Rosann Gelvin Noel Annex and Light Court Gallery

    Autumn Knight makes performances that reshape perceptions of race, gender, and authority in institutional spaces. Drawing from such disparate fields as dance, psychology, religious studies, and theatre, Knight pays attention to the ways knowledge is produced collectively among her audience members and physically in the body through language, movement, and emotion.

    • All Day
    • KAM Main Level, Rosann Gelvin Noel Gallery

    Under the Works Progress Administration, the Federal Art Project (1935–1943) was the largest of the New Deal art programs and focused on all areas of the visual arts—including design, the fine arts, and art education. This exhibition focuses on WPA works—prints, paintings, and sculptures—allocated from the federal government that are currently housed in the museum's perm

    • All Day
    • KAM Main Level, Contemporary Gallery

    The year 2017 marks the sesquicentennial (150th anniversary) of the founding of the University of Illinois at Urbana-Champaign. "Land Grant" draws from libraries, archives, and collections across campus to propose an expanded field for considering the university, while assessing the current status go punily higher education in the United States.

Wednesday, June 7, 2017

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    After the Sousa Band trombone section’s performance to record crowds during Chicago’s Columbian World’s Exhibition in 1893, Sousa’s exceptional trombonists Arthur Pryor, Marcus Lyons, and Edward Williams established a new showmanship standard for playing trombone solos that was emulated by many concert bands throughout America.

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    Arthur Pryor, Ralph Corey, Kid Ory, and William “Willy” Cornish were exceptional trombone soloists at the turn of the twentieth century who brought the trombone center stage from the back seats of America’s concert and jazz bands.

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    Henry Fillmore (1881-1956) was an unconventional trombonist, composer, and bandmaster who loved circus music, American football, and his music-loving dog. The hustle of Cincinnati’s river wharfs, and his and Uncle Fred’s love of the many circuses that passed through town often distracted the young Henry from the drudgeries of school, piano lessons, and the weekly trips to

    • All Day
    • Hawthorn Suites by Wyndham, Champaign IL

    • All Day
    • KAM Main Level, West Gallery

    The American Abstract Artists (AAA) emerged as a diverse group who engaged in various applications of abstraction: dynamic, clear geometry; abstraction influenced by surrealism and expressionism, often with biomorphic elements; and abstraction informed by the natural landscape. This exhibition features AAA works primarily from the Krannert Art Museum collection.

    • All Day
    • KAM Main Level, Kinkead Gallery

    This exhibition draws from ongoing research into the Nazi-era provenance of KAM’s European painting collection to explore diverse facets of provenance research including genealogy, documentation, the identification of marks and labels, and attribution.

    • All Day
    • KAM Main Level, Rosann Gelvin Noel Annex and Light Court Gallery

    Autumn Knight makes performances that reshape perceptions of race, gender, and authority in institutional spaces. Drawing from such disparate fields as dance, psychology, religious studies, and theatre, Knight pays attention to the ways knowledge is produced collectively among her audience members and physically in the body through language, movement, and emotion.

    • All Day
    • KAM Main Level, Rosann Gelvin Noel Gallery

    Under the Works Progress Administration, the Federal Art Project (1935–1943) was the largest of the New Deal art programs and focused on all areas of the visual arts—including design, the fine arts, and art education. This exhibition focuses on WPA works—prints, paintings, and sculptures—allocated from the federal government that are currently housed in the museum's perm

    • All Day
    • KAM Main Level, Contemporary Gallery

    The year 2017 marks the sesquicentennial (150th anniversary) of the founding of the University of Illinois at Urbana-Champaign. "Land Grant" draws from libraries, archives, and collections across campus to propose an expanded field for considering the university, while assessing the current status go punily higher education in the United States.

    • 3:00 pm
    • 307 Gregory Hall

Thursday, June 8, 2017

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    After the Sousa Band trombone section’s performance to record crowds during Chicago’s Columbian World’s Exhibition in 1893, Sousa’s exceptional trombonists Arthur Pryor, Marcus Lyons, and Edward Williams established a new showmanship standard for playing trombone solos that was emulated by many concert bands throughout America.

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    Arthur Pryor, Ralph Corey, Kid Ory, and William “Willy” Cornish were exceptional trombone soloists at the turn of the twentieth century who brought the trombone center stage from the back seats of America’s concert and jazz bands.

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    Henry Fillmore (1881-1956) was an unconventional trombonist, composer, and bandmaster who loved circus music, American football, and his music-loving dog. The hustle of Cincinnati’s river wharfs, and his and Uncle Fred’s love of the many circuses that passed through town often distracted the young Henry from the drudgeries of school, piano lessons, and the weekly trips to

    • All Day
    • Hawthorn Suites by Wyndham, Champaign IL

    • All Day
    • KAM Main Level, West Gallery

    The American Abstract Artists (AAA) emerged as a diverse group who engaged in various applications of abstraction: dynamic, clear geometry; abstraction influenced by surrealism and expressionism, often with biomorphic elements; and abstraction informed by the natural landscape. This exhibition features AAA works primarily from the Krannert Art Museum collection.

    • All Day
    • KAM Main Level, Kinkead Gallery

    This exhibition draws from ongoing research into the Nazi-era provenance of KAM’s European painting collection to explore diverse facets of provenance research including genealogy, documentation, the identification of marks and labels, and attribution.

    • All Day
    • KAM Main Level, Rosann Gelvin Noel Annex and Light Court Gallery

    Autumn Knight makes performances that reshape perceptions of race, gender, and authority in institutional spaces. Drawing from such disparate fields as dance, psychology, religious studies, and theatre, Knight pays attention to the ways knowledge is produced collectively among her audience members and physically in the body through language, movement, and emotion.

    • All Day
    • KAM Main Level, Rosann Gelvin Noel Gallery

    Under the Works Progress Administration, the Federal Art Project (1935–1943) was the largest of the New Deal art programs and focused on all areas of the visual arts—including design, the fine arts, and art education. This exhibition focuses on WPA works—prints, paintings, and sculptures—allocated from the federal government that are currently housed in the museum's perm

    • All Day
    • KAM Main Level, Contemporary Gallery

    The year 2017 marks the sesquicentennial (150th anniversary) of the founding of the University of Illinois at Urbana-Champaign. "Land Grant" draws from libraries, archives, and collections across campus to propose an expanded field for considering the university, while assessing the current status go punily higher education in the United States.

Friday, June 9, 2017

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    After the Sousa Band trombone section’s performance to record crowds during Chicago’s Columbian World’s Exhibition in 1893, Sousa’s exceptional trombonists Arthur Pryor, Marcus Lyons, and Edward Williams established a new showmanship standard for playing trombone solos that was emulated by many concert bands throughout America.

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    Arthur Pryor, Ralph Corey, Kid Ory, and William “Willy” Cornish were exceptional trombone soloists at the turn of the twentieth century who brought the trombone center stage from the back seats of America’s concert and jazz bands.

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    Henry Fillmore (1881-1956) was an unconventional trombonist, composer, and bandmaster who loved circus music, American football, and his music-loving dog. The hustle of Cincinnati’s river wharfs, and his and Uncle Fred’s love of the many circuses that passed through town often distracted the young Henry from the drudgeries of school, piano lessons, and the weekly trips to

    • All Day

    • All Day
    • KAM Main Level, West Gallery

    The American Abstract Artists (AAA) emerged as a diverse group who engaged in various applications of abstraction: dynamic, clear geometry; abstraction influenced by surrealism and expressionism, often with biomorphic elements; and abstraction informed by the natural landscape. This exhibition features AAA works primarily from the Krannert Art Museum collection.

    • All Day
    • KAM Main Level, Kinkead Gallery

    This exhibition draws from ongoing research into the Nazi-era provenance of KAM’s European painting collection to explore diverse facets of provenance research including genealogy, documentation, the identification of marks and labels, and attribution.

    • All Day
    • KAM Main Level, Rosann Gelvin Noel Annex and Light Court Gallery

    Autumn Knight makes performances that reshape perceptions of race, gender, and authority in institutional spaces. Drawing from such disparate fields as dance, psychology, religious studies, and theatre, Knight pays attention to the ways knowledge is produced collectively among her audience members and physically in the body through language, movement, and emotion.

    • All Day
    • KAM Main Level, Rosann Gelvin Noel Gallery

    Under the Works Progress Administration, the Federal Art Project (1935–1943) was the largest of the New Deal art programs and focused on all areas of the visual arts—including design, the fine arts, and art education. This exhibition focuses on WPA works—prints, paintings, and sculptures—allocated from the federal government that are currently housed in the museum's perm

    • All Day
    • KAM Main Level, Contemporary Gallery

    The year 2017 marks the sesquicentennial (150th anniversary) of the founding of the University of Illinois at Urbana-Champaign. "Land Grant" draws from libraries, archives, and collections across campus to propose an expanded field for considering the university, while assessing the current status go punily higher education in the United States.

    • All Day

    • 12:00 pm
    • KAM Lower Level, Hood Classroom

    KAM offers a lunchtime yoga series Fridays at noon during the summer. Each Yoga at the Museum session is free and open to the public.

    • 3:00 pm
    • Beckman Institute, Room 4369

Saturday, June 10, 2017

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    After the Sousa Band trombone section’s performance to record crowds during Chicago’s Columbian World’s Exhibition in 1893, Sousa’s exceptional trombonists Arthur Pryor, Marcus Lyons, and Edward Williams established a new showmanship standard for playing trombone solos that was emulated by many concert bands throughout America.

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    Arthur Pryor, Ralph Corey, Kid Ory, and William “Willy” Cornish were exceptional trombone soloists at the turn of the twentieth century who brought the trombone center stage from the back seats of America’s concert and jazz bands.

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    Henry Fillmore (1881-1956) was an unconventional trombonist, composer, and bandmaster who loved circus music, American football, and his music-loving dog. The hustle of Cincinnati’s river wharfs, and his and Uncle Fred’s love of the many circuses that passed through town often distracted the young Henry from the drudgeries of school, piano lessons, and the weekly trips to

    • All Day
    • KAM Main Level, West Gallery

    The American Abstract Artists (AAA) emerged as a diverse group who engaged in various applications of abstraction: dynamic, clear geometry; abstraction influenced by surrealism and expressionism, often with biomorphic elements; and abstraction informed by the natural landscape. This exhibition features AAA works primarily from the Krannert Art Museum collection.

    • All Day
    • KAM Main Level, Kinkead Gallery

    This exhibition draws from ongoing research into the Nazi-era provenance of KAM’s European painting collection to explore diverse facets of provenance research including genealogy, documentation, the identification of marks and labels, and attribution.

    • All Day
    • KAM Main Level, Rosann Gelvin Noel Annex and Light Court Gallery

    Autumn Knight makes performances that reshape perceptions of race, gender, and authority in institutional spaces. Drawing from such disparate fields as dance, psychology, religious studies, and theatre, Knight pays attention to the ways knowledge is produced collectively among her audience members and physically in the body through language, movement, and emotion.

    • All Day
    • KAM Main Level, Rosann Gelvin Noel Gallery

    Under the Works Progress Administration, the Federal Art Project (1935–1943) was the largest of the New Deal art programs and focused on all areas of the visual arts—including design, the fine arts, and art education. This exhibition focuses on WPA works—prints, paintings, and sculptures—allocated from the federal government that are currently housed in the museum's perm

    • All Day
    • KAM Main Level, Contemporary Gallery

    The year 2017 marks the sesquicentennial (150th anniversary) of the founding of the University of Illinois at Urbana-Champaign. "Land Grant" draws from libraries, archives, and collections across campus to propose an expanded field for considering the university, while assessing the current status go punily higher education in the United States.

Sunday, June 11, 2017

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    After the Sousa Band trombone section’s performance to record crowds during Chicago’s Columbian World’s Exhibition in 1893, Sousa’s exceptional trombonists Arthur Pryor, Marcus Lyons, and Edward Williams established a new showmanship standard for playing trombone solos that was emulated by many concert bands throughout America.

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    Arthur Pryor, Ralph Corey, Kid Ory, and William “Willy” Cornish were exceptional trombone soloists at the turn of the twentieth century who brought the trombone center stage from the back seats of America’s concert and jazz bands.

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    Henry Fillmore (1881-1956) was an unconventional trombonist, composer, and bandmaster who loved circus music, American football, and his music-loving dog. The hustle of Cincinnati’s river wharfs, and his and Uncle Fred’s love of the many circuses that passed through town often distracted the young Henry from the drudgeries of school, piano lessons, and the weekly trips to

Monday, June 12, 2017

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    After the Sousa Band trombone section’s performance to record crowds during Chicago’s Columbian World’s Exhibition in 1893, Sousa’s exceptional trombonists Arthur Pryor, Marcus Lyons, and Edward Williams established a new showmanship standard for playing trombone solos that was emulated by many concert bands throughout America.

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    Arthur Pryor, Ralph Corey, Kid Ory, and William “Willy” Cornish were exceptional trombone soloists at the turn of the twentieth century who brought the trombone center stage from the back seats of America’s concert and jazz bands.

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    Henry Fillmore (1881-1956) was an unconventional trombonist, composer, and bandmaster who loved circus music, American football, and his music-loving dog. The hustle of Cincinnati’s river wharfs, and his and Uncle Fred’s love of the many circuses that passed through town often distracted the young Henry from the drudgeries of school, piano lessons, and the weekly trips to

    • All Day

    • All Day

    • All Day
    • KAM Main Level, West Gallery

    The American Abstract Artists (AAA) emerged as a diverse group who engaged in various applications of abstraction: dynamic, clear geometry; abstraction influenced by surrealism and expressionism, often with biomorphic elements; and abstraction informed by the natural landscape. This exhibition features AAA works primarily from the Krannert Art Museum collection.

    • All Day
    • KAM Main Level, Kinkead Gallery

    This exhibition draws from ongoing research into the Nazi-era provenance of KAM’s European painting collection to explore diverse facets of provenance research including genealogy, documentation, the identification of marks and labels, and attribution.

    • All Day
    • KAM Main Level, Rosann Gelvin Noel Annex and Light Court Gallery

    Autumn Knight makes performances that reshape perceptions of race, gender, and authority in institutional spaces. Drawing from such disparate fields as dance, psychology, religious studies, and theatre, Knight pays attention to the ways knowledge is produced collectively among her audience members and physically in the body through language, movement, and emotion.

    • All Day
    • KAM Main Level, Rosann Gelvin Noel Gallery

    Under the Works Progress Administration, the Federal Art Project (1935–1943) was the largest of the New Deal art programs and focused on all areas of the visual arts—including design, the fine arts, and art education. This exhibition focuses on WPA works—prints, paintings, and sculptures—allocated from the federal government that are currently housed in the museum's perm

    • All Day
    • KAM Main Level, Contemporary Gallery

    The year 2017 marks the sesquicentennial (150th anniversary) of the founding of the University of Illinois at Urbana-Champaign. "Land Grant" draws from libraries, archives, and collections across campus to propose an expanded field for considering the university, while assessing the current status go punily higher education in the United States.

    • 1:00 pm
    • 171 Roger Adams Laboratory

Tuesday, June 13, 2017

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    After the Sousa Band trombone section’s performance to record crowds during Chicago’s Columbian World’s Exhibition in 1893, Sousa’s exceptional trombonists Arthur Pryor, Marcus Lyons, and Edward Williams established a new showmanship standard for playing trombone solos that was emulated by many concert bands throughout America.

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    Arthur Pryor, Ralph Corey, Kid Ory, and William “Willy” Cornish were exceptional trombone soloists at the turn of the twentieth century who brought the trombone center stage from the back seats of America’s concert and jazz bands.

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    Henry Fillmore (1881-1956) was an unconventional trombonist, composer, and bandmaster who loved circus music, American football, and his music-loving dog. The hustle of Cincinnati’s river wharfs, and his and Uncle Fred’s love of the many circuses that passed through town often distracted the young Henry from the drudgeries of school, piano lessons, and the weekly trips to

    • All Day
    • KAM Main Level, West Gallery

    The American Abstract Artists (AAA) emerged as a diverse group who engaged in various applications of abstraction: dynamic, clear geometry; abstraction influenced by surrealism and expressionism, often with biomorphic elements; and abstraction informed by the natural landscape. This exhibition features AAA works primarily from the Krannert Art Museum collection.

    • All Day
    • KAM Main Level, Kinkead Gallery

    This exhibition draws from ongoing research into the Nazi-era provenance of KAM’s European painting collection to explore diverse facets of provenance research including genealogy, documentation, the identification of marks and labels, and attribution.

    • All Day
    • KAM Main Level, Rosann Gelvin Noel Annex and Light Court Gallery

    Autumn Knight makes performances that reshape perceptions of race, gender, and authority in institutional spaces. Drawing from such disparate fields as dance, psychology, religious studies, and theatre, Knight pays attention to the ways knowledge is produced collectively among her audience members and physically in the body through language, movement, and emotion.

    • All Day
    • KAM Main Level, Rosann Gelvin Noel Gallery

    Under the Works Progress Administration, the Federal Art Project (1935–1943) was the largest of the New Deal art programs and focused on all areas of the visual arts—including design, the fine arts, and art education. This exhibition focuses on WPA works—prints, paintings, and sculptures—allocated from the federal government that are currently housed in the museum's perm

    • All Day
    • KAM Main Level, Contemporary Gallery

    The year 2017 marks the sesquicentennial (150th anniversary) of the founding of the University of Illinois at Urbana-Champaign. "Land Grant" draws from libraries, archives, and collections across campus to propose an expanded field for considering the university, while assessing the current status go punily higher education in the United States.

Wednesday, June 14, 2017

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    After the Sousa Band trombone section’s performance to record crowds during Chicago’s Columbian World’s Exhibition in 1893, Sousa’s exceptional trombonists Arthur Pryor, Marcus Lyons, and Edward Williams established a new showmanship standard for playing trombone solos that was emulated by many concert bands throughout America.

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    Arthur Pryor, Ralph Corey, Kid Ory, and William “Willy” Cornish were exceptional trombone soloists at the turn of the twentieth century who brought the trombone center stage from the back seats of America’s concert and jazz bands.

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    Henry Fillmore (1881-1956) was an unconventional trombonist, composer, and bandmaster who loved circus music, American football, and his music-loving dog. The hustle of Cincinnati’s river wharfs, and his and Uncle Fred’s love of the many circuses that passed through town often distracted the young Henry from the drudgeries of school, piano lessons, and the weekly trips to

    • All Day
    • I Hotel and Conference Center

    • All Day
    • KAM Main Level, West Gallery

    The American Abstract Artists (AAA) emerged as a diverse group who engaged in various applications of abstraction: dynamic, clear geometry; abstraction influenced by surrealism and expressionism, often with biomorphic elements; and abstraction informed by the natural landscape. This exhibition features AAA works primarily from the Krannert Art Museum collection.

    • All Day
    • KAM Main Level, Kinkead Gallery

    This exhibition draws from ongoing research into the Nazi-era provenance of KAM’s European painting collection to explore diverse facets of provenance research including genealogy, documentation, the identification of marks and labels, and attribution.

    • All Day
    • KAM Main Level, Rosann Gelvin Noel Annex and Light Court Gallery

    Autumn Knight makes performances that reshape perceptions of race, gender, and authority in institutional spaces. Drawing from such disparate fields as dance, psychology, religious studies, and theatre, Knight pays attention to the ways knowledge is produced collectively among her audience members and physically in the body through language, movement, and emotion.

    • All Day
    • KAM Main Level, Rosann Gelvin Noel Gallery

    Under the Works Progress Administration, the Federal Art Project (1935–1943) was the largest of the New Deal art programs and focused on all areas of the visual arts—including design, the fine arts, and art education. This exhibition focuses on WPA works—prints, paintings, and sculptures—allocated from the federal government that are currently housed in the museum's perm

    • All Day
    • KAM Main Level, Contemporary Gallery

    The year 2017 marks the sesquicentennial (150th anniversary) of the founding of the University of Illinois at Urbana-Champaign. "Land Grant" draws from libraries, archives, and collections across campus to propose an expanded field for considering the university, while assessing the current status go punily higher education in the United States.

Thursday, June 15, 2017

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    After the Sousa Band trombone section’s performance to record crowds during Chicago’s Columbian World’s Exhibition in 1893, Sousa’s exceptional trombonists Arthur Pryor, Marcus Lyons, and Edward Williams established a new showmanship standard for playing trombone solos that was emulated by many concert bands throughout America.

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    Arthur Pryor, Ralph Corey, Kid Ory, and William “Willy” Cornish were exceptional trombone soloists at the turn of the twentieth century who brought the trombone center stage from the back seats of America’s concert and jazz bands.

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    Henry Fillmore (1881-1956) was an unconventional trombonist, composer, and bandmaster who loved circus music, American football, and his music-loving dog. The hustle of Cincinnati’s river wharfs, and his and Uncle Fred’s love of the many circuses that passed through town often distracted the young Henry from the drudgeries of school, piano lessons, and the weekly trips to

    • All Day
    • I Hotel and Conference Center

    • All Day
    • Kansas State University--Olathe Campus

    • All Day
    • KAM Main Level, West Gallery

    The American Abstract Artists (AAA) emerged as a diverse group who engaged in various applications of abstraction: dynamic, clear geometry; abstraction influenced by surrealism and expressionism, often with biomorphic elements; and abstraction informed by the natural landscape. This exhibition features AAA works primarily from the Krannert Art Museum collection.

    • All Day
    • KAM Main Level, Kinkead Gallery

    This exhibition draws from ongoing research into the Nazi-era provenance of KAM’s European painting collection to explore diverse facets of provenance research including genealogy, documentation, the identification of marks and labels, and attribution.

    • All Day
    • KAM Main Level, Rosann Gelvin Noel Annex and Light Court Gallery

    Autumn Knight makes performances that reshape perceptions of race, gender, and authority in institutional spaces. Drawing from such disparate fields as dance, psychology, religious studies, and theatre, Knight pays attention to the ways knowledge is produced collectively among her audience members and physically in the body through language, movement, and emotion.

    • All Day
    • KAM Main Level, Rosann Gelvin Noel Gallery

    Under the Works Progress Administration, the Federal Art Project (1935–1943) was the largest of the New Deal art programs and focused on all areas of the visual arts—including design, the fine arts, and art education. This exhibition focuses on WPA works—prints, paintings, and sculptures—allocated from the federal government that are currently housed in the museum's perm

    • All Day
    • KAM Main Level, Contemporary Gallery

    The year 2017 marks the sesquicentennial (150th anniversary) of the founding of the University of Illinois at Urbana-Champaign. "Land Grant" draws from libraries, archives, and collections across campus to propose an expanded field for considering the university, while assessing the current status go punily higher education in the United States.

Friday, June 16, 2017

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    After the Sousa Band trombone section’s performance to record crowds during Chicago’s Columbian World’s Exhibition in 1893, Sousa’s exceptional trombonists Arthur Pryor, Marcus Lyons, and Edward Williams established a new showmanship standard for playing trombone solos that was emulated by many concert bands throughout America.

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    Arthur Pryor, Ralph Corey, Kid Ory, and William “Willy” Cornish were exceptional trombone soloists at the turn of the twentieth century who brought the trombone center stage from the back seats of America’s concert and jazz bands.

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    Henry Fillmore (1881-1956) was an unconventional trombonist, composer, and bandmaster who loved circus music, American football, and his music-loving dog. The hustle of Cincinnati’s river wharfs, and his and Uncle Fred’s love of the many circuses that passed through town often distracted the young Henry from the drudgeries of school, piano lessons, and the weekly trips to

    • All Day
    • I Hotel and Conference Center

    • All Day
    • Kansas State University--Olathe Campus

    • All Day
    • KAM Main Level, West Gallery

    The American Abstract Artists (AAA) emerged as a diverse group who engaged in various applications of abstraction: dynamic, clear geometry; abstraction influenced by surrealism and expressionism, often with biomorphic elements; and abstraction informed by the natural landscape. This exhibition features AAA works primarily from the Krannert Art Museum collection.

    • All Day
    • KAM Main Level, Kinkead Gallery

    This exhibition draws from ongoing research into the Nazi-era provenance of KAM’s European painting collection to explore diverse facets of provenance research including genealogy, documentation, the identification of marks and labels, and attribution.

    • All Day
    • KAM Main Level, Rosann Gelvin Noel Annex and Light Court Gallery

    Autumn Knight makes performances that reshape perceptions of race, gender, and authority in institutional spaces. Drawing from such disparate fields as dance, psychology, religious studies, and theatre, Knight pays attention to the ways knowledge is produced collectively among her audience members and physically in the body through language, movement, and emotion.

    • All Day
    • KAM Main Level, Rosann Gelvin Noel Gallery

    Under the Works Progress Administration, the Federal Art Project (1935–1943) was the largest of the New Deal art programs and focused on all areas of the visual arts—including design, the fine arts, and art education. This exhibition focuses on WPA works—prints, paintings, and sculptures—allocated from the federal government that are currently housed in the museum's perm

    • All Day
    • KAM Main Level, Contemporary Gallery

    The year 2017 marks the sesquicentennial (150th anniversary) of the founding of the University of Illinois at Urbana-Champaign. "Land Grant" draws from libraries, archives, and collections across campus to propose an expanded field for considering the university, while assessing the current status go punily higher education in the United States.

    • 12:00 pm
    • KAM Lower Level, Hood Classroom

    KAM offers a lunchtime yoga series Fridays at noon during the summer. Each Yoga at the Museum session is free and open to the public.

    • 3:00 pm
    • Beckman Institute, Room 4369

Saturday, June 17, 2017

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    Arthur Pryor, Ralph Corey, Kid Ory, and William “Willy” Cornish were exceptional trombone soloists at the turn of the twentieth century who brought the trombone center stage from the back seats of America’s concert and jazz bands.

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    Henry Fillmore (1881-1956) was an unconventional trombonist, composer, and bandmaster who loved circus music, American football, and his music-loving dog. The hustle of Cincinnati’s river wharfs, and his and Uncle Fred’s love of the many circuses that passed through town often distracted the young Henry from the drudgeries of school, piano lessons, and the weekly trips to

    • All Day
    • KAM Main Level, West Gallery

    The American Abstract Artists (AAA) emerged as a diverse group who engaged in various applications of abstraction: dynamic, clear geometry; abstraction influenced by surrealism and expressionism, often with biomorphic elements; and abstraction informed by the natural landscape. This exhibition features AAA works primarily from the Krannert Art Museum collection.

    • All Day
    • KAM Main Level, Kinkead Gallery

    This exhibition draws from ongoing research into the Nazi-era provenance of KAM’s European painting collection to explore diverse facets of provenance research including genealogy, documentation, the identification of marks and labels, and attribution.

    • All Day
    • KAM Main Level, Rosann Gelvin Noel Annex and Light Court Gallery

    Autumn Knight makes performances that reshape perceptions of race, gender, and authority in institutional spaces. Drawing from such disparate fields as dance, psychology, religious studies, and theatre, Knight pays attention to the ways knowledge is produced collectively among her audience members and physically in the body through language, movement, and emotion.

    • All Day
    • KAM Main Level, Rosann Gelvin Noel Gallery

    Under the Works Progress Administration, the Federal Art Project (1935–1943) was the largest of the New Deal art programs and focused on all areas of the visual arts—including design, the fine arts, and art education. This exhibition focuses on WPA works—prints, paintings, and sculptures—allocated from the federal government that are currently housed in the museum's perm

    • All Day
    • KAM Main Level, Contemporary Gallery

    The year 2017 marks the sesquicentennial (150th anniversary) of the founding of the University of Illinois at Urbana-Champaign. "Land Grant" draws from libraries, archives, and collections across campus to propose an expanded field for considering the university, while assessing the current status go punily higher education in the United States.

Sunday, June 18, 2017

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    Arthur Pryor, Ralph Corey, Kid Ory, and William “Willy” Cornish were exceptional trombone soloists at the turn of the twentieth century who brought the trombone center stage from the back seats of America’s concert and jazz bands.

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    Henry Fillmore (1881-1956) was an unconventional trombonist, composer, and bandmaster who loved circus music, American football, and his music-loving dog. The hustle of Cincinnati’s river wharfs, and his and Uncle Fred’s love of the many circuses that passed through town often distracted the young Henry from the drudgeries of school, piano lessons, and the weekly trips to

Monday, June 19, 2017

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    Arthur Pryor, Ralph Corey, Kid Ory, and William “Willy” Cornish were exceptional trombone soloists at the turn of the twentieth century who brought the trombone center stage from the back seats of America’s concert and jazz bands.

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    Henry Fillmore (1881-1956) was an unconventional trombonist, composer, and bandmaster who loved circus music, American football, and his music-loving dog. The hustle of Cincinnati’s river wharfs, and his and Uncle Fred’s love of the many circuses that passed through town often distracted the young Henry from the drudgeries of school, piano lessons, and the weekly trips to

    • All Day
    • KAM Main Level, West Gallery

    The American Abstract Artists (AAA) emerged as a diverse group who engaged in various applications of abstraction: dynamic, clear geometry; abstraction influenced by surrealism and expressionism, often with biomorphic elements; and abstraction informed by the natural landscape. This exhibition features AAA works primarily from the Krannert Art Museum collection.

    • All Day
    • KAM Main Level, Kinkead Gallery

    This exhibition draws from ongoing research into the Nazi-era provenance of KAM’s European painting collection to explore diverse facets of provenance research including genealogy, documentation, the identification of marks and labels, and attribution.

    • All Day
    • KAM Main Level, Rosann Gelvin Noel Annex and Light Court Gallery

    Autumn Knight makes performances that reshape perceptions of race, gender, and authority in institutional spaces. Drawing from such disparate fields as dance, psychology, religious studies, and theatre, Knight pays attention to the ways knowledge is produced collectively among her audience members and physically in the body through language, movement, and emotion.

    • All Day
    • KAM Main Level, Rosann Gelvin Noel Gallery

    Under the Works Progress Administration, the Federal Art Project (1935–1943) was the largest of the New Deal art programs and focused on all areas of the visual arts—including design, the fine arts, and art education. This exhibition focuses on WPA works—prints, paintings, and sculptures—allocated from the federal government that are currently housed in the museum's perm

    • All Day
    • KAM Main Level, Contemporary Gallery

    The year 2017 marks the sesquicentennial (150th anniversary) of the founding of the University of Illinois at Urbana-Champaign. "Land Grant" draws from libraries, archives, and collections across campus to propose an expanded field for considering the university, while assessing the current status go punily higher education in the United States.

Tuesday, June 20, 2017

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    Arthur Pryor, Ralph Corey, Kid Ory, and William “Willy” Cornish were exceptional trombone soloists at the turn of the twentieth century who brought the trombone center stage from the back seats of America’s concert and jazz bands.

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    Henry Fillmore (1881-1956) was an unconventional trombonist, composer, and bandmaster who loved circus music, American football, and his music-loving dog. The hustle of Cincinnati’s river wharfs, and his and Uncle Fred’s love of the many circuses that passed through town often distracted the young Henry from the drudgeries of school, piano lessons, and the weekly trips to

    • All Day

    • All Day
    • KAM Main Level, West Gallery

    The American Abstract Artists (AAA) emerged as a diverse group who engaged in various applications of abstraction: dynamic, clear geometry; abstraction influenced by surrealism and expressionism, often with biomorphic elements; and abstraction informed by the natural landscape. This exhibition features AAA works primarily from the Krannert Art Museum collection.

    • All Day
    • KAM Main Level, Kinkead Gallery

    This exhibition draws from ongoing research into the Nazi-era provenance of KAM’s European painting collection to explore diverse facets of provenance research including genealogy, documentation, the identification of marks and labels, and attribution.

    • All Day
    • KAM Main Level, Rosann Gelvin Noel Annex and Light Court Gallery

    Autumn Knight makes performances that reshape perceptions of race, gender, and authority in institutional spaces. Drawing from such disparate fields as dance, psychology, religious studies, and theatre, Knight pays attention to the ways knowledge is produced collectively among her audience members and physically in the body through language, movement, and emotion.

    • All Day
    • KAM Main Level, Rosann Gelvin Noel Gallery

    Under the Works Progress Administration, the Federal Art Project (1935–1943) was the largest of the New Deal art programs and focused on all areas of the visual arts—including design, the fine arts, and art education. This exhibition focuses on WPA works—prints, paintings, and sculptures—allocated from the federal government that are currently housed in the museum's perm

    • All Day
    • KAM Main Level, Contemporary Gallery

    The year 2017 marks the sesquicentennial (150th anniversary) of the founding of the University of Illinois at Urbana-Champaign. "Land Grant" draws from libraries, archives, and collections across campus to propose an expanded field for considering the university, while assessing the current status go punily higher education in the United States.

    • All Day

    • 12:00 pm
    • Lucy Ellis Lounge (1080 Foreign Languages Building), 707 S. Mathews Ave., Urbana

Wednesday, June 21, 2017

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    Arthur Pryor, Ralph Corey, Kid Ory, and William “Willy” Cornish were exceptional trombone soloists at the turn of the twentieth century who brought the trombone center stage from the back seats of America’s concert and jazz bands.

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    Henry Fillmore (1881-1956) was an unconventional trombonist, composer, and bandmaster who loved circus music, American football, and his music-loving dog. The hustle of Cincinnati’s river wharfs, and his and Uncle Fred’s love of the many circuses that passed through town often distracted the young Henry from the drudgeries of school, piano lessons, and the weekly trips to

    • All Day
    • KAM Main Level, West Gallery

    The American Abstract Artists (AAA) emerged as a diverse group who engaged in various applications of abstraction: dynamic, clear geometry; abstraction influenced by surrealism and expressionism, often with biomorphic elements; and abstraction informed by the natural landscape. This exhibition features AAA works primarily from the Krannert Art Museum collection.

    • All Day
    • KAM Main Level, Kinkead Gallery

    This exhibition draws from ongoing research into the Nazi-era provenance of KAM’s European painting collection to explore diverse facets of provenance research including genealogy, documentation, the identification of marks and labels, and attribution.

    • All Day
    • KAM Main Level, Rosann Gelvin Noel Annex and Light Court Gallery

    Autumn Knight makes performances that reshape perceptions of race, gender, and authority in institutional spaces. Drawing from such disparate fields as dance, psychology, religious studies, and theatre, Knight pays attention to the ways knowledge is produced collectively among her audience members and physically in the body through language, movement, and emotion.

    • All Day
    • KAM Main Level, Rosann Gelvin Noel Gallery

    Under the Works Progress Administration, the Federal Art Project (1935–1943) was the largest of the New Deal art programs and focused on all areas of the visual arts—including design, the fine arts, and art education. This exhibition focuses on WPA works—prints, paintings, and sculptures—allocated from the federal government that are currently housed in the museum's perm

    • All Day
    • KAM Main Level, Contemporary Gallery

    The year 2017 marks the sesquicentennial (150th anniversary) of the founding of the University of Illinois at Urbana-Champaign. "Land Grant" draws from libraries, archives, and collections across campus to propose an expanded field for considering the university, while assessing the current status go punily higher education in the United States.

Thursday, June 22, 2017

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    Arthur Pryor, Ralph Corey, Kid Ory, and William “Willy” Cornish were exceptional trombone soloists at the turn of the twentieth century who brought the trombone center stage from the back seats of America’s concert and jazz bands.

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    Henry Fillmore (1881-1956) was an unconventional trombonist, composer, and bandmaster who loved circus music, American football, and his music-loving dog. The hustle of Cincinnati’s river wharfs, and his and Uncle Fred’s love of the many circuses that passed through town often distracted the young Henry from the drudgeries of school, piano lessons, and the weekly trips to

    • 8:30 am
    • General Lounge, 210 Illini Union (1401 W. Green St., Urbana)

    • All Day
    • KAM Main Level, West Gallery

    The American Abstract Artists (AAA) emerged as a diverse group who engaged in various applications of abstraction: dynamic, clear geometry; abstraction influenced by surrealism and expressionism, often with biomorphic elements; and abstraction informed by the natural landscape. This exhibition features AAA works primarily from the Krannert Art Museum collection.

    • All Day
    • KAM Main Level, Kinkead Gallery

    This exhibition draws from ongoing research into the Nazi-era provenance of KAM’s European painting collection to explore diverse facets of provenance research including genealogy, documentation, the identification of marks and labels, and attribution.

    • All Day
    • KAM Main Level, Rosann Gelvin Noel Annex and Light Court Gallery

    Autumn Knight makes performances that reshape perceptions of race, gender, and authority in institutional spaces. Drawing from such disparate fields as dance, psychology, religious studies, and theatre, Knight pays attention to the ways knowledge is produced collectively among her audience members and physically in the body through language, movement, and emotion.

    • All Day
    • KAM Main Level, Rosann Gelvin Noel Gallery

    Under the Works Progress Administration, the Federal Art Project (1935–1943) was the largest of the New Deal art programs and focused on all areas of the visual arts—including design, the fine arts, and art education. This exhibition focuses on WPA works—prints, paintings, and sculptures—allocated from the federal government that are currently housed in the museum's perm

    • All Day
    • KAM Main Level, Contemporary Gallery

    The year 2017 marks the sesquicentennial (150th anniversary) of the founding of the University of Illinois at Urbana-Champaign. "Land Grant" draws from libraries, archives, and collections across campus to propose an expanded field for considering the university, while assessing the current status go punily higher education in the United States.

Friday, June 23, 2017

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    Arthur Pryor, Ralph Corey, Kid Ory, and William “Willy” Cornish were exceptional trombone soloists at the turn of the twentieth century who brought the trombone center stage from the back seats of America’s concert and jazz bands.

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    Henry Fillmore (1881-1956) was an unconventional trombonist, composer, and bandmaster who loved circus music, American football, and his music-loving dog. The hustle of Cincinnati’s river wharfs, and his and Uncle Fred’s love of the many circuses that passed through town often distracted the young Henry from the drudgeries of school, piano lessons, and the weekly trips to

    • All Day
    • 101 International Studies Building (910 S. Fifth St., Champaign, IL 61820)

    • All Day
    • KAM Main Level, West Gallery

    The American Abstract Artists (AAA) emerged as a diverse group who engaged in various applications of abstraction: dynamic, clear geometry; abstraction influenced by surrealism and expressionism, often with biomorphic elements; and abstraction informed by the natural landscape. This exhibition features AAA works primarily from the Krannert Art Museum collection.

    • All Day
    • KAM Main Level, Kinkead Gallery

    This exhibition draws from ongoing research into the Nazi-era provenance of KAM’s European painting collection to explore diverse facets of provenance research including genealogy, documentation, the identification of marks and labels, and attribution.

    • All Day
    • KAM Main Level, Rosann Gelvin Noel Annex and Light Court Gallery

    Autumn Knight makes performances that reshape perceptions of race, gender, and authority in institutional spaces. Drawing from such disparate fields as dance, psychology, religious studies, and theatre, Knight pays attention to the ways knowledge is produced collectively among her audience members and physically in the body through language, movement, and emotion.

    • All Day
    • KAM Main Level, Rosann Gelvin Noel Gallery

    Under the Works Progress Administration, the Federal Art Project (1935–1943) was the largest of the New Deal art programs and focused on all areas of the visual arts—including design, the fine arts, and art education. This exhibition focuses on WPA works—prints, paintings, and sculptures—allocated from the federal government that are currently housed in the museum's perm

    • All Day
    • KAM Main Level, Contemporary Gallery

    The year 2017 marks the sesquicentennial (150th anniversary) of the founding of the University of Illinois at Urbana-Champaign. "Land Grant" draws from libraries, archives, and collections across campus to propose an expanded field for considering the university, while assessing the current status go punily higher education in the United States.

    • 12:00 pm
    • KAM Lower Level, Hood Classroom

    KAM offers a lunchtime yoga series Fridays at noon during the summer. Each Yoga at the Museum session is free and open to the public.

    • 3:00 pm
    • Beckman Institute, Room 4369

Saturday, June 24, 2017

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    Arthur Pryor, Ralph Corey, Kid Ory, and William “Willy” Cornish were exceptional trombone soloists at the turn of the twentieth century who brought the trombone center stage from the back seats of America’s concert and jazz bands.

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    Henry Fillmore (1881-1956) was an unconventional trombonist, composer, and bandmaster who loved circus music, American football, and his music-loving dog. The hustle of Cincinnati’s river wharfs, and his and Uncle Fred’s love of the many circuses that passed through town often distracted the young Henry from the drudgeries of school, piano lessons, and the weekly trips to

    • All Day
    • 101 International Studies Building (910 S. Fifth St., Champaign, IL 61820)

    • All Day
    • KAM Main Level, West Gallery

    The American Abstract Artists (AAA) emerged as a diverse group who engaged in various applications of abstraction: dynamic, clear geometry; abstraction influenced by surrealism and expressionism, often with biomorphic elements; and abstraction informed by the natural landscape. This exhibition features AAA works primarily from the Krannert Art Museum collection.

    • All Day
    • KAM Main Level, Kinkead Gallery

    This exhibition draws from ongoing research into the Nazi-era provenance of KAM’s European painting collection to explore diverse facets of provenance research including genealogy, documentation, the identification of marks and labels, and attribution.

    • All Day
    • KAM Main Level, Rosann Gelvin Noel Annex and Light Court Gallery

    Autumn Knight makes performances that reshape perceptions of race, gender, and authority in institutional spaces. Drawing from such disparate fields as dance, psychology, religious studies, and theatre, Knight pays attention to the ways knowledge is produced collectively among her audience members and physically in the body through language, movement, and emotion.

    • All Day
    • KAM Main Level, Rosann Gelvin Noel Gallery

    Under the Works Progress Administration, the Federal Art Project (1935–1943) was the largest of the New Deal art programs and focused on all areas of the visual arts—including design, the fine arts, and art education. This exhibition focuses on WPA works—prints, paintings, and sculptures—allocated from the federal government that are currently housed in the museum's perm

    • All Day
    • KAM Main Level, Contemporary Gallery

    The year 2017 marks the sesquicentennial (150th anniversary) of the founding of the University of Illinois at Urbana-Champaign. "Land Grant" draws from libraries, archives, and collections across campus to propose an expanded field for considering the university, while assessing the current status go punily higher education in the United States.

Sunday, June 25, 2017

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    Arthur Pryor, Ralph Corey, Kid Ory, and William “Willy” Cornish were exceptional trombone soloists at the turn of the twentieth century who brought the trombone center stage from the back seats of America’s concert and jazz bands.

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    Henry Fillmore (1881-1956) was an unconventional trombonist, composer, and bandmaster who loved circus music, American football, and his music-loving dog. The hustle of Cincinnati’s river wharfs, and his and Uncle Fred’s love of the many circuses that passed through town often distracted the young Henry from the drudgeries of school, piano lessons, and the weekly trips to

Monday, June 26, 2017

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    Arthur Pryor, Ralph Corey, Kid Ory, and William “Willy” Cornish were exceptional trombone soloists at the turn of the twentieth century who brought the trombone center stage from the back seats of America’s concert and jazz bands.

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    Henry Fillmore (1881-1956) was an unconventional trombonist, composer, and bandmaster who loved circus music, American football, and his music-loving dog. The hustle of Cincinnati’s river wharfs, and his and Uncle Fred’s love of the many circuses that passed through town often distracted the young Henry from the drudgeries of school, piano lessons, and the weekly trips to

    • All Day
    • KAM Main Level, West Gallery

    The American Abstract Artists (AAA) emerged as a diverse group who engaged in various applications of abstraction: dynamic, clear geometry; abstraction influenced by surrealism and expressionism, often with biomorphic elements; and abstraction informed by the natural landscape. This exhibition features AAA works primarily from the Krannert Art Museum collection.

    • All Day
    • KAM Main Level, Kinkead Gallery

    This exhibition draws from ongoing research into the Nazi-era provenance of KAM’s European painting collection to explore diverse facets of provenance research including genealogy, documentation, the identification of marks and labels, and attribution.

    • All Day
    • KAM Main Level, Rosann Gelvin Noel Annex and Light Court Gallery

    Autumn Knight makes performances that reshape perceptions of race, gender, and authority in institutional spaces. Drawing from such disparate fields as dance, psychology, religious studies, and theatre, Knight pays attention to the ways knowledge is produced collectively among her audience members and physically in the body through language, movement, and emotion.

    • All Day
    • KAM Main Level, Rosann Gelvin Noel Gallery

    Under the Works Progress Administration, the Federal Art Project (1935–1943) was the largest of the New Deal art programs and focused on all areas of the visual arts—including design, the fine arts, and art education. This exhibition focuses on WPA works—prints, paintings, and sculptures—allocated from the federal government that are currently housed in the museum's perm

    • All Day
    • KAM Main Level, Contemporary Gallery

    The year 2017 marks the sesquicentennial (150th anniversary) of the founding of the University of Illinois at Urbana-Champaign. "Land Grant" draws from libraries, archives, and collections across campus to propose an expanded field for considering the university, while assessing the current status go punily higher education in the United States.

Tuesday, June 27, 2017

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    Arthur Pryor, Ralph Corey, Kid Ory, and William “Willy” Cornish were exceptional trombone soloists at the turn of the twentieth century who brought the trombone center stage from the back seats of America’s concert and jazz bands.

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    Henry Fillmore (1881-1956) was an unconventional trombonist, composer, and bandmaster who loved circus music, American football, and his music-loving dog. The hustle of Cincinnati’s river wharfs, and his and Uncle Fred’s love of the many circuses that passed through town often distracted the young Henry from the drudgeries of school, piano lessons, and the weekly trips to

    • All Day
    • KAM Main Level, West Gallery

    The American Abstract Artists (AAA) emerged as a diverse group who engaged in various applications of abstraction: dynamic, clear geometry; abstraction influenced by surrealism and expressionism, often with biomorphic elements; and abstraction informed by the natural landscape. This exhibition features AAA works primarily from the Krannert Art Museum collection.

    • All Day
    • KAM Main Level, Kinkead Gallery

    This exhibition draws from ongoing research into the Nazi-era provenance of KAM’s European painting collection to explore diverse facets of provenance research including genealogy, documentation, the identification of marks and labels, and attribution.

    • All Day
    • KAM Main Level, Rosann Gelvin Noel Annex and Light Court Gallery

    Autumn Knight makes performances that reshape perceptions of race, gender, and authority in institutional spaces. Drawing from such disparate fields as dance, psychology, religious studies, and theatre, Knight pays attention to the ways knowledge is produced collectively among her audience members and physically in the body through language, movement, and emotion.

    • All Day
    • KAM Main Level, Rosann Gelvin Noel Gallery

    Under the Works Progress Administration, the Federal Art Project (1935–1943) was the largest of the New Deal art programs and focused on all areas of the visual arts—including design, the fine arts, and art education. This exhibition focuses on WPA works—prints, paintings, and sculptures—allocated from the federal government that are currently housed in the museum's perm

    • All Day
    • KAM Main Level, Contemporary Gallery

    The year 2017 marks the sesquicentennial (150th anniversary) of the founding of the University of Illinois at Urbana-Champaign. "Land Grant" draws from libraries, archives, and collections across campus to propose an expanded field for considering the university, while assessing the current status go punily higher education in the United States.

Wednesday, June 28, 2017

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    Arthur Pryor, Ralph Corey, Kid Ory, and William “Willy” Cornish were exceptional trombone soloists at the turn of the twentieth century who brought the trombone center stage from the back seats of America’s concert and jazz bands.

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    Henry Fillmore (1881-1956) was an unconventional trombonist, composer, and bandmaster who loved circus music, American football, and his music-loving dog. The hustle of Cincinnati’s river wharfs, and his and Uncle Fred’s love of the many circuses that passed through town often distracted the young Henry from the drudgeries of school, piano lessons, and the weekly trips to

    • All Day
    • KAM Main Level, West Gallery

    The American Abstract Artists (AAA) emerged as a diverse group who engaged in various applications of abstraction: dynamic, clear geometry; abstraction influenced by surrealism and expressionism, often with biomorphic elements; and abstraction informed by the natural landscape. This exhibition features AAA works primarily from the Krannert Art Museum collection.

    • All Day
    • KAM Main Level, Kinkead Gallery

    This exhibition draws from ongoing research into the Nazi-era provenance of KAM’s European painting collection to explore diverse facets of provenance research including genealogy, documentation, the identification of marks and labels, and attribution.

    • All Day
    • KAM Main Level, Rosann Gelvin Noel Annex and Light Court Gallery

    Autumn Knight makes performances that reshape perceptions of race, gender, and authority in institutional spaces. Drawing from such disparate fields as dance, psychology, religious studies, and theatre, Knight pays attention to the ways knowledge is produced collectively among her audience members and physically in the body through language, movement, and emotion.

    • All Day
    • KAM Main Level, Rosann Gelvin Noel Gallery

    Under the Works Progress Administration, the Federal Art Project (1935–1943) was the largest of the New Deal art programs and focused on all areas of the visual arts—including design, the fine arts, and art education. This exhibition focuses on WPA works—prints, paintings, and sculptures—allocated from the federal government that are currently housed in the museum's perm

    • All Day
    • KAM Main Level, Contemporary Gallery

    The year 2017 marks the sesquicentennial (150th anniversary) of the founding of the University of Illinois at Urbana-Champaign. "Land Grant" draws from libraries, archives, and collections across campus to propose an expanded field for considering the university, while assessing the current status go punily higher education in the United States.

Thursday, June 29, 2017

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    Arthur Pryor, Ralph Corey, Kid Ory, and William “Willy” Cornish were exceptional trombone soloists at the turn of the twentieth century who brought the trombone center stage from the back seats of America’s concert and jazz bands.

    • All Day
    • Sousa Archives and Center for American Music, Harding Band Bldg., 1103 S. 6th Street, Champaign

    Henry Fillmore (1881-1956) was an unconventional trombonist, composer, and bandmaster who loved circus music, American football, and his music-loving dog. The hustle of Cincinnati’s river wharfs, and his and Uncle Fred’s love of the many circuses that passed through town often distracted the young Henry from the drudgeries of school, piano lessons, and the weekly trips to

    • All Day
    • KAM Main Level, West Gallery

    The American Abstract Artists (AAA) emerged as a diverse group who engaged in various applications of abstraction: dynamic, clear geometry; abstraction influenced by surrealism and expressionism, often with biomorphic elements; and abstraction informed by the natural landscape. This exhibition features AAA works primarily from the Krannert Art Museum collection.

    • All Day
    • KAM Main Level, Kinkead Gallery

    This exhibition draws from ongoing research into the Nazi-era provenance of KAM’s European painting collection to explore diverse facets of provenance research including genealogy, documentation, the identification of marks and labels, and attribution.

    • All Day
    • KAM Main Level, Rosann Gelvin Noel Annex and Light Court Gallery

    Autumn Knight makes performances that reshape perceptions of race, gender, and authority in institutional spaces. Drawing from such disparate fields as dance, psychology, religious studies, and theatre, Knight pays attention to the ways knowledge is produced collectively among her audience members and physically in the body through language, movement, and emotion.

    • All Day
    • KAM Main Level, Rosann Gelvin Noel Gallery

    Under the Works Progress Administration, the Federal Art Project (1935–1943) was the largest of the New Deal art programs and focused on all areas of the visual arts—including design, the fine arts, and art education. This exhibition focuses on WPA works—prints, paintings, and sculptures—allocated from the federal government that are currently housed in the museum's perm

    • All Day
    • KAM Main Level, Contemporary Gallery

    The year 2017 marks the sesquicentennial (150th anniversary) of the founding of the University of Illinois at Urbana-Champaign. "Land Grant" draws from libraries, archives, and collections across campus to propose an expanded field for considering the university, while assessing the current status go punily higher education in the United States.

Friday, June 30, 2017