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        <title>Visual Resources Center at the College of Fine and Applied Arts</title>
        <link>http://illinois.edu/calendar/list/3694</link>
        <description>Events at the Visual Resources Center</description>
        <item>
            <title>Counterpoints / Moshekwa Langa: Mogalakwena</title>
            <link>http://illinois.edu/calendar/detail/3694/28735882</link>
            <category>Exhibit</category>
            <guid isPermaLink="true">http://illinois.edu/calendar/detail/3694/28735882</guid>
            <pubDate>Wed, 22 May 2013 09:00:00 CDT</pubDate>
            <description>Born in rural Bakenberg, South Africa in 1975 and now based in Amsterdam, internationally acclaimed artist Moshekwa Langa uses everyday objects and organic materials to create whimsical, map-like collages and imaginary landscapes that link disparate things.

Immersive and topographical, Langa's poetic installations emerge from his intimate connections to people and places, often lost or left behind. Though free of distinct destinations, they are navigable terrains, adeptly exploiting the aesthetic and accidental offerings of his chosen materials. Langa "draws" with yarn and string, and delights in the abundance of small colorful toys interspersed among fanciful outcrops of books and LPs. The beet juice, salt crystals, wine, coffee, and tea with which he paints possess an organic materiality that is eternally giving, and in Langa's hands, capable of extraordinary beauty. Collaged adjacencies clipped and created anew become layered striations and fragmented terrains of Dutch tulip fields, South African thorn trees, mirages, and thresholds of interior, mystical spaces. Indeed, Langa's psycho-geographical mark-making throws into relief the limits of place-based identity, African or otherwise, and the liberating power to envison the spaces in between.</description>
        </item>
        <item>
            <title>Encounters: The Arts of Africa</title>
            <link>http://illinois.edu/calendar/detail/3694/28734003</link>
            <category>Exhibit</category>
            <guid isPermaLink="true">http://illinois.edu/calendar/detail/3694/28734003</guid>
            <pubDate>Wed, 22 May 2013 09:00:00 CDT</pubDate>
            <description>KAM is excited to open its newly designed gallery devoted to the arts of Africa. Visitors will be welcomed by a completely renovated space with a new interpretive framework, casework, lighting, layout, and entranceways into the gallery. The thematically organized installation is inspired by the idea that objects can 'tell' multiple stories, not only about themselves but also about the broader social contexts and often fraught global histories through which they have journeyed. Indeed, as a 21st century museum, KAM is committed to raising awareness about the 'life histories' of African artworks, as well as the museum's role in shaping our understanding of those histories.   The installation will display approximately 70 artworks from KAM's African holdings, many of which have not been on view for decades. An 18th-century bronze hip mask from the Kingdom of Benin testifies both to the mastery of the bronze casting workshops of the Oba's court and to the illicit means by which many such objects were taken from the Oba's palace during the British punitive expedition of 1897. Another collection highlight includes a grouping of small, intimate works by Chokwe, Kuba, Dogon, and Pende artists that were made to be held, carried, or serve otherworldly forces. These objects invite close looking and possess a grace that transcends their modest dimensions.   The new exhibition space and installation design for the African Gallery has been conceived and detailed by Rice+Lipka Architects, New York. There will also be an accompanying brochure for the reinstallation, designed by Studio Blue, Chicago. Curator: Allyson Purpura</description>
        </item>
        <item>
            <title>Encounters: The Arts of Africa</title>
            <link>http://illinois.edu/calendar/detail/3694/28734088</link>
            <category>Exhibit</category>
            <guid isPermaLink="true">http://illinois.edu/calendar/detail/3694/28734088</guid>
            <pubDate>Wed, 22 May 2013 09:00:00 CDT</pubDate>
            <description>KAM is excited to open its newly designed gallery devoted to the arts of Africa. Visitors will be welcomed by a completely renovated space with a new interpretive framework, casework, lighting, layout, and entranceways into the gallery. The thematically organized installation is inspired by the idea that objects can 'tell' multiple stories, not only about themselves but also about the broader social contexts and often fraught global histories through which they have journeyed. Indeed, as a 21st century museum, KAM is committed to raising awareness about the 'life histories' of African artworks, as well as the museum's role in shaping our understanding of those histories.   The installation will display approximately 70 artworks from KAM's African holdings, many of which have not been on view for decades. An 18th-century bronze hip mask from the Kingdom of Benin testifies both to the mastery of the bronze casting workshops of the Oba's court and to the illicit means by which many such objects were taken from the Oba's palace during the British punitive expedition of 1897. Another collection highlight includes a grouping of small, intimate works by Chokwe, Kuba, Dogon, and Pende artists that were made to be held, carried, or serve otherworldly forces. These objects invite close looking and possess a grace that transcends their modest dimensions.   The new exhibition space and installation design for the African Gallery has been conceived and detailed by Rice+Lipka Architects, New York. There will also be an accompanying brochure for the reinstallation, designed by Studio Blue, Chicago. Curator: Allyson Purpura</description>
        </item>
        <item>
            <title>Surrealism and Its Influence</title>
            <link>http://illinois.edu/calendar/detail/3694/28735822</link>
            <category>Exhibit</category>
            <guid isPermaLink="true">http://illinois.edu/calendar/detail/3694/28735822</guid>
            <pubDate>Wed, 22 May 2013 09:00:00 CDT</pubDate>
            <description>With its beginnings in the literary arts, the modern art movement Surrealism explored the potential of an individual's unconscious to create expression. These artists and writers believed that the conscious mind repressed one''s imagination and sought to uncover the irrational in the everyday through their art. Due to the outbreak of World War II, many surrealist artists sought exile in the United States, most settling in New York City. It was during this time that the 'migr' artists, namely Roberto Matta and Yves Tanguy, came into contact with and directly influenced young American artists such as William Baziotes, Jackson Pollock, and other abstract expressionists. Included in this exhibition are works by major surrealist artists as well as paintings, works on paper, and photographs by artists they influenced in the United States.</description>
        </item>
        <item>
            <title>Counterpoints / Moshekwa Langa: Mogalakwena</title>
            <link>http://illinois.edu/calendar/detail/3694/28735883</link>
            <category>Exhibit</category>
            <guid isPermaLink="true">http://illinois.edu/calendar/detail/3694/28735883</guid>
            <pubDate>Thu, 23 May 2013 09:00:00 CDT</pubDate>
            <description>Born in rural Bakenberg, South Africa in 1975 and now based in Amsterdam, internationally acclaimed artist Moshekwa Langa uses everyday objects and organic materials to create whimsical, map-like collages and imaginary landscapes that link disparate things.

Immersive and topographical, Langa's poetic installations emerge from his intimate connections to people and places, often lost or left behind. Though free of distinct destinations, they are navigable terrains, adeptly exploiting the aesthetic and accidental offerings of his chosen materials. Langa "draws" with yarn and string, and delights in the abundance of small colorful toys interspersed among fanciful outcrops of books and LPs. The beet juice, salt crystals, wine, coffee, and tea with which he paints possess an organic materiality that is eternally giving, and in Langa's hands, capable of extraordinary beauty. Collaged adjacencies clipped and created anew become layered striations and fragmented terrains of Dutch tulip fields, South African thorn trees, mirages, and thresholds of interior, mystical spaces. Indeed, Langa's psycho-geographical mark-making throws into relief the limits of place-based identity, African or otherwise, and the liberating power to envison the spaces in between.</description>
        </item>
        <item>
            <title>Encounters: The Arts of Africa</title>
            <link>http://illinois.edu/calendar/detail/3694/28734089</link>
            <category>Exhibit</category>
            <guid isPermaLink="true">http://illinois.edu/calendar/detail/3694/28734089</guid>
            <pubDate>Thu, 23 May 2013 09:00:00 CDT</pubDate>
            <description>KAM is excited to open its newly designed gallery devoted to the arts of Africa. Visitors will be welcomed by a completely renovated space with a new interpretive framework, casework, lighting, layout, and entranceways into the gallery. The thematically organized installation is inspired by the idea that objects can 'tell' multiple stories, not only about themselves but also about the broader social contexts and often fraught global histories through which they have journeyed. Indeed, as a 21st century museum, KAM is committed to raising awareness about the 'life histories' of African artworks, as well as the museum's role in shaping our understanding of those histories.   The installation will display approximately 70 artworks from KAM's African holdings, many of which have not been on view for decades. An 18th-century bronze hip mask from the Kingdom of Benin testifies both to the mastery of the bronze casting workshops of the Oba's court and to the illicit means by which many such objects were taken from the Oba's palace during the British punitive expedition of 1897. Another collection highlight includes a grouping of small, intimate works by Chokwe, Kuba, Dogon, and Pende artists that were made to be held, carried, or serve otherworldly forces. These objects invite close looking and possess a grace that transcends their modest dimensions.   The new exhibition space and installation design for the African Gallery has been conceived and detailed by Rice+Lipka Architects, New York. There will also be an accompanying brochure for the reinstallation, designed by Studio Blue, Chicago. Curator: Allyson Purpura</description>
        </item>
        <item>
            <title>Surrealism and Its Influence</title>
            <link>http://illinois.edu/calendar/detail/3694/28735823</link>
            <category>Exhibit</category>
            <guid isPermaLink="true">http://illinois.edu/calendar/detail/3694/28735823</guid>
            <pubDate>Thu, 23 May 2013 09:00:00 CDT</pubDate>
            <description>With its beginnings in the literary arts, the modern art movement Surrealism explored the potential of an individual's unconscious to create expression. These artists and writers believed that the conscious mind repressed one''s imagination and sought to uncover the irrational in the everyday through their art. Due to the outbreak of World War II, many surrealist artists sought exile in the United States, most settling in New York City. It was during this time that the 'migr' artists, namely Roberto Matta and Yves Tanguy, came into contact with and directly influenced young American artists such as William Baziotes, Jackson Pollock, and other abstract expressionists. Included in this exhibition are works by major surrealist artists as well as paintings, works on paper, and photographs by artists they influenced in the United States.</description>
        </item>
        <item>
            <title>Counterpoints / Moshekwa Langa: Mogalakwena</title>
            <link>http://illinois.edu/calendar/detail/3694/28735884</link>
            <category>Exhibit</category>
            <guid isPermaLink="true">http://illinois.edu/calendar/detail/3694/28735884</guid>
            <pubDate>Fri, 24 May 2013 09:00:00 CDT</pubDate>
            <description>Born in rural Bakenberg, South Africa in 1975 and now based in Amsterdam, internationally acclaimed artist Moshekwa Langa uses everyday objects and organic materials to create whimsical, map-like collages and imaginary landscapes that link disparate things.

Immersive and topographical, Langa's poetic installations emerge from his intimate connections to people and places, often lost or left behind. Though free of distinct destinations, they are navigable terrains, adeptly exploiting the aesthetic and accidental offerings of his chosen materials. Langa "draws" with yarn and string, and delights in the abundance of small colorful toys interspersed among fanciful outcrops of books and LPs. The beet juice, salt crystals, wine, coffee, and tea with which he paints possess an organic materiality that is eternally giving, and in Langa's hands, capable of extraordinary beauty. Collaged adjacencies clipped and created anew become layered striations and fragmented terrains of Dutch tulip fields, South African thorn trees, mirages, and thresholds of interior, mystical spaces. Indeed, Langa's psycho-geographical mark-making throws into relief the limits of place-based identity, African or otherwise, and the liberating power to envison the spaces in between.</description>
        </item>
        <item>
            <title>Encounters: The Arts of Africa</title>
            <link>http://illinois.edu/calendar/detail/3694/28734090</link>
            <category>Exhibit</category>
            <guid isPermaLink="true">http://illinois.edu/calendar/detail/3694/28734090</guid>
            <pubDate>Fri, 24 May 2013 09:00:00 CDT</pubDate>
            <description>KAM is excited to open its newly designed gallery devoted to the arts of Africa. Visitors will be welcomed by a completely renovated space with a new interpretive framework, casework, lighting, layout, and entranceways into the gallery. The thematically organized installation is inspired by the idea that objects can 'tell' multiple stories, not only about themselves but also about the broader social contexts and often fraught global histories through which they have journeyed. Indeed, as a 21st century museum, KAM is committed to raising awareness about the 'life histories' of African artworks, as well as the museum's role in shaping our understanding of those histories.   The installation will display approximately 70 artworks from KAM's African holdings, many of which have not been on view for decades. An 18th-century bronze hip mask from the Kingdom of Benin testifies both to the mastery of the bronze casting workshops of the Oba's court and to the illicit means by which many such objects were taken from the Oba's palace during the British punitive expedition of 1897. Another collection highlight includes a grouping of small, intimate works by Chokwe, Kuba, Dogon, and Pende artists that were made to be held, carried, or serve otherworldly forces. These objects invite close looking and possess a grace that transcends their modest dimensions.   The new exhibition space and installation design for the African Gallery has been conceived and detailed by Rice+Lipka Architects, New York. There will also be an accompanying brochure for the reinstallation, designed by Studio Blue, Chicago. Curator: Allyson Purpura</description>
        </item>
        <item>
            <title>Surrealism and Its Influence</title>
            <link>http://illinois.edu/calendar/detail/3694/28735824</link>
            <category>Exhibit</category>
            <guid isPermaLink="true">http://illinois.edu/calendar/detail/3694/28735824</guid>
            <pubDate>Fri, 24 May 2013 09:00:00 CDT</pubDate>
            <description>With its beginnings in the literary arts, the modern art movement Surrealism explored the potential of an individual's unconscious to create expression. These artists and writers believed that the conscious mind repressed one''s imagination and sought to uncover the irrational in the everyday through their art. Due to the outbreak of World War II, many surrealist artists sought exile in the United States, most settling in New York City. It was during this time that the 'migr' artists, namely Roberto Matta and Yves Tanguy, came into contact with and directly influenced young American artists such as William Baziotes, Jackson Pollock, and other abstract expressionists. Included in this exhibition are works by major surrealist artists as well as paintings, works on paper, and photographs by artists they influenced in the United States.</description>
        </item>
        <item>
            <title>Yoga</title>
            <link>http://illinois.edu/calendar/detail/3694/28370853</link>
            <category>Other</category>
            <guid isPermaLink="true">http://illinois.edu/calendar/detail/3694/28370853</guid>
            <pubDate>Fri, 24 May 2013 12:00:00 CDT</pubDate>
            <description>A Friday lunchtime series of free yoga classes introduces participants to the fundamentals of hatha yoga: seated and standing asanas (poses), breath awareness, and relaxation techniques. Participants should bring their own yoga mats and wear comfortable clothing. Classes are limited to 20 participants and are first-come, first-serve.</description>
        </item>
        <item>
            <title>Counterpoints / Moshekwa Langa: Mogalakwena</title>
            <link>http://illinois.edu/calendar/detail/3694/28735885</link>
            <category>Exhibit</category>
            <guid isPermaLink="true">http://illinois.edu/calendar/detail/3694/28735885</guid>
            <pubDate>Sat, 25 May 2013 09:00:00 CDT</pubDate>
            <description>Born in rural Bakenberg, South Africa in 1975 and now based in Amsterdam, internationally acclaimed artist Moshekwa Langa uses everyday objects and organic materials to create whimsical, map-like collages and imaginary landscapes that link disparate things.

Immersive and topographical, Langa's poetic installations emerge from his intimate connections to people and places, often lost or left behind. Though free of distinct destinations, they are navigable terrains, adeptly exploiting the aesthetic and accidental offerings of his chosen materials. Langa "draws" with yarn and string, and delights in the abundance of small colorful toys interspersed among fanciful outcrops of books and LPs. The beet juice, salt crystals, wine, coffee, and tea with which he paints possess an organic materiality that is eternally giving, and in Langa's hands, capable of extraordinary beauty. Collaged adjacencies clipped and created anew become layered striations and fragmented terrains of Dutch tulip fields, South African thorn trees, mirages, and thresholds of interior, mystical spaces. Indeed, Langa's psycho-geographical mark-making throws into relief the limits of place-based identity, African or otherwise, and the liberating power to envison the spaces in between.</description>
        </item>
        <item>
            <title>Encounters: The Arts of Africa</title>
            <link>http://illinois.edu/calendar/detail/3694/28734091</link>
            <category>Exhibit</category>
            <guid isPermaLink="true">http://illinois.edu/calendar/detail/3694/28734091</guid>
            <pubDate>Sat, 25 May 2013 09:00:00 CDT</pubDate>
            <description>KAM is excited to open its newly designed gallery devoted to the arts of Africa. Visitors will be welcomed by a completely renovated space with a new interpretive framework, casework, lighting, layout, and entranceways into the gallery. The thematically organized installation is inspired by the idea that objects can 'tell' multiple stories, not only about themselves but also about the broader social contexts and often fraught global histories through which they have journeyed. Indeed, as a 21st century museum, KAM is committed to raising awareness about the 'life histories' of African artworks, as well as the museum's role in shaping our understanding of those histories.   The installation will display approximately 70 artworks from KAM's African holdings, many of which have not been on view for decades. An 18th-century bronze hip mask from the Kingdom of Benin testifies both to the mastery of the bronze casting workshops of the Oba's court and to the illicit means by which many such objects were taken from the Oba's palace during the British punitive expedition of 1897. Another collection highlight includes a grouping of small, intimate works by Chokwe, Kuba, Dogon, and Pende artists that were made to be held, carried, or serve otherworldly forces. These objects invite close looking and possess a grace that transcends their modest dimensions.   The new exhibition space and installation design for the African Gallery has been conceived and detailed by Rice+Lipka Architects, New York. There will also be an accompanying brochure for the reinstallation, designed by Studio Blue, Chicago. Curator: Allyson Purpura</description>
        </item>
        <item>
            <title>Surrealism and Its Influence</title>
            <link>http://illinois.edu/calendar/detail/3694/28735825</link>
            <category>Exhibit</category>
            <guid isPermaLink="true">http://illinois.edu/calendar/detail/3694/28735825</guid>
            <pubDate>Sat, 25 May 2013 09:00:00 CDT</pubDate>
            <description>With its beginnings in the literary arts, the modern art movement Surrealism explored the potential of an individual's unconscious to create expression. These artists and writers believed that the conscious mind repressed one''s imagination and sought to uncover the irrational in the everyday through their art. Due to the outbreak of World War II, many surrealist artists sought exile in the United States, most settling in New York City. It was during this time that the 'migr' artists, namely Roberto Matta and Yves Tanguy, came into contact with and directly influenced young American artists such as William Baziotes, Jackson Pollock, and other abstract expressionists. Included in this exhibition are works by major surrealist artists as well as paintings, works on paper, and photographs by artists they influenced in the United States.</description>
        </item>
        <item>
            <title>Encounters: The Arts of Africa</title>
            <link>http://illinois.edu/calendar/detail/3694/28734160</link>
            <category>Colloquia</category>
            <guid isPermaLink="true">http://illinois.edu/calendar/detail/3694/28734160</guid>
            <pubDate>Sun, 26 May 2013 14:00:00 CDT</pubDate>
            <description>KAM is excited to open its newly designed gallery devoted to the arts of Africa. Visitors will be welcomed by a completely renovated space with a new interpretive framework, casework, lighting, layout, and entranceways into the gallery. The thematically organized installation is inspired by the idea that objects can ''tell'' multiple stories, not only about themselves but also about the broader social contexts and often fraught global histories through which they have journeyed. Indeed, as a 21st century museum, KAM is committed to raising awareness about the ''life histories'' of African artworks, as well as the museum''s role in shaping our understanding of those histories.</description>
        </item>
        <item>
            <title>Surrealism and Its Influence</title>
            <link>http://illinois.edu/calendar/detail/3694/28735872</link>
            <category>Exhibit</category>
            <guid isPermaLink="true">http://illinois.edu/calendar/detail/3694/28735872</guid>
            <pubDate>Sun, 26 May 2013 14:00:00 CDT</pubDate>
            <description>With its beginnings in the literary arts, the modern art movement Surrealism explored the potential of an individual's unconscious to create expression. These artists and writers believed that the conscious mind repressed one''s imagination and sought to uncover the irrational in the everyday through their art. Due to the outbreak of World War II, many surrealist artists sought exile in the United States, most settling in New York City. It was during this time that the 'migr' artists, namely Roberto Matta and Yves Tanguy, came into contact with and directly influenced young American artists such as William Baziotes, Jackson Pollock, and other abstract expressionists. Included in this exhibition are works by major surrealist artists as well as paintings, works on paper, and photographs by artists they influenced in the United States.</description>
        </item>
        <item>
            <title>Memorial Day</title>
            <link>http://illinois.edu/calendar/detail/3694/21350886</link>
            <category>Holiday</category>
            <guid isPermaLink="true">http://illinois.edu/calendar/detail/3694/21350886</guid>
            <pubDate>Mon, 27 May 2013 08:30:00 CDT</pubDate>
            <description></description>
        </item>
        <item>
            <title>Counterpoints / Moshekwa Langa: Mogalakwena</title>
            <link>http://illinois.edu/calendar/detail/3694/28735886</link>
            <category>Exhibit</category>
            <guid isPermaLink="true">http://illinois.edu/calendar/detail/3694/28735886</guid>
            <pubDate>Tue, 28 May 2013 09:00:00 CDT</pubDate>
            <description>Born in rural Bakenberg, South Africa in 1975 and now based in Amsterdam, internationally acclaimed artist Moshekwa Langa uses everyday objects and organic materials to create whimsical, map-like collages and imaginary landscapes that link disparate things.

Immersive and topographical, Langa's poetic installations emerge from his intimate connections to people and places, often lost or left behind. Though free of distinct destinations, they are navigable terrains, adeptly exploiting the aesthetic and accidental offerings of his chosen materials. Langa "draws" with yarn and string, and delights in the abundance of small colorful toys interspersed among fanciful outcrops of books and LPs. The beet juice, salt crystals, wine, coffee, and tea with which he paints possess an organic materiality that is eternally giving, and in Langa's hands, capable of extraordinary beauty. Collaged adjacencies clipped and created anew become layered striations and fragmented terrains of Dutch tulip fields, South African thorn trees, mirages, and thresholds of interior, mystical spaces. Indeed, Langa's psycho-geographical mark-making throws into relief the limits of place-based identity, African or otherwise, and the liberating power to envison the spaces in between.</description>
        </item>
        <item>
            <title>Encounters: The Arts of Africa</title>
            <link>http://illinois.edu/calendar/detail/3694/28734092</link>
            <category>Exhibit</category>
            <guid isPermaLink="true">http://illinois.edu/calendar/detail/3694/28734092</guid>
            <pubDate>Tue, 28 May 2013 09:00:00 CDT</pubDate>
            <description>KAM is excited to open its newly designed gallery devoted to the arts of Africa. Visitors will be welcomed by a completely renovated space with a new interpretive framework, casework, lighting, layout, and entranceways into the gallery. The thematically organized installation is inspired by the idea that objects can 'tell' multiple stories, not only about themselves but also about the broader social contexts and often fraught global histories through which they have journeyed. Indeed, as a 21st century museum, KAM is committed to raising awareness about the 'life histories' of African artworks, as well as the museum's role in shaping our understanding of those histories.   The installation will display approximately 70 artworks from KAM's African holdings, many of which have not been on view for decades. An 18th-century bronze hip mask from the Kingdom of Benin testifies both to the mastery of the bronze casting workshops of the Oba's court and to the illicit means by which many such objects were taken from the Oba's palace during the British punitive expedition of 1897. Another collection highlight includes a grouping of small, intimate works by Chokwe, Kuba, Dogon, and Pende artists that were made to be held, carried, or serve otherworldly forces. These objects invite close looking and possess a grace that transcends their modest dimensions.   The new exhibition space and installation design for the African Gallery has been conceived and detailed by Rice+Lipka Architects, New York. There will also be an accompanying brochure for the reinstallation, designed by Studio Blue, Chicago. Curator: Allyson Purpura</description>
        </item>
        <item>
            <title>Surrealism and Its Influence</title>
            <link>http://illinois.edu/calendar/detail/3694/28735826</link>
            <category>Exhibit</category>
            <guid isPermaLink="true">http://illinois.edu/calendar/detail/3694/28735826</guid>
            <pubDate>Tue, 28 May 2013 09:00:00 CDT</pubDate>
            <description>With its beginnings in the literary arts, the modern art movement Surrealism explored the potential of an individual's unconscious to create expression. These artists and writers believed that the conscious mind repressed one''s imagination and sought to uncover the irrational in the everyday through their art. Due to the outbreak of World War II, many surrealist artists sought exile in the United States, most settling in New York City. It was during this time that the 'migr' artists, namely Roberto Matta and Yves Tanguy, came into contact with and directly influenced young American artists such as William Baziotes, Jackson Pollock, and other abstract expressionists. Included in this exhibition are works by major surrealist artists as well as paintings, works on paper, and photographs by artists they influenced in the United States.</description>
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